Showing posts with label Rorcal. Show all posts
Showing posts with label Rorcal. Show all posts

Sunday, 11 April 2021

REVIEW: Rorcal & Earthflesh, "Witchcoven" [EP]

By: Josh McIntyre
 
Album Type: EP
Date Released:02/04/2021
Label: Hummus Records


“Witch Coven” CS//CD//DD//LP track listing:

1). Altars of Nothingness
2). Happiness Sucks – So Do You

The Review:

 I am always impressed by Rorcal’s ability to be immaculately heavy. I mean it’s pure black bile smashing into your face with the weight of anvils. It melts your eyes and makes you feel smaller, more insignificant as an existential being. The guitars are huge, the drums are huge, the frequencies are huge, and the vocalist (who has one of the best tones in metal) roars like the meanest devil sent to drag you to Hell. Add in Earthflesh, their collaboration partner with this release, and the layers of noise make it sound like being forced into a meat grinder.

Speaking of Hell and devils, these two songs (both around 15 minutes) sound like occult rituals of the most frightening sort. The first song, “Altars of Nothingness”, begins with deep, choir-like vocals that certainly recall religious ceremonies before building up into a vile sludge fest. I’m normally one of those people who views religious and occult themed metal to be played out and cliche but somehow Rorcal and Earthflesh turn out something that really, truly sounds like the soundtrack to someone being set to flames. It isn’t just some band playing rock n’ roll songs about Satan, they manage to bring about an intensity that brings to mind the emotional state of someone in great pain who knows that all they have left in life is pure torment.

It feels as if the first track takes place on Earth, our living realm, while the second half takes place in a Hell-like dimension. Switching to blastbeats and buzzing guitars it sounds like the pure dread of someone falling to their doom, knowing that this is all they have left in life. As the song develops it continuously wavers between these faster parts and back to more doom sections. It feels natural as it flows and when the EP ends the quietness is quite apparent given the last half hour journey.

“Witch Coven” finds a brilliant balance between crushing atmosphere and riff to move the body (particularly the chugging section of the first track). Rorcal is truly at their best when throwing these juxtapositions together. The clean vocals and layers of sound from Earthflesh add to make this a special flavor of extreme music, one that is rich in mindfulness, a focus on emotive feel, and pure devastation.

“Witch Coven” is available HERE

Band info: Rorcal || Earthflesh

Wednesday, 6 November 2019

ALBUM REVIEW: Rorcal, "Muladona"

By: Eeli Helin

Album Type: Full Length
Date Released: 08/11/19
Label: Hummus Records



”Muladona” CS//CD//DD//LP track listing:

1. This is how I came to associate drowning with tenderness
2. She drained you of your innocence, and you poisoned her with it
3. I’d done my duty to my mother and father. And more than that, I’d found love
4. A sea of false smiles hiding murder, jealousy, and revenge
5. Carnation were not the smell of death. They were the smell of desire
6. The only constant in this world is blackness of the human heart
7. I was the Muladona’s seventh tale

The Review:

Little did I know how big of a treat I was in for, when I was asked to scribe up the track premiere for the Swiss blackened death/sludge/doom/noise quartet Rorcal earlier this autumn. Prior to that, I recall coming across the band a few times, but never gave them enough attention to fully comprehend what I was ingesting. When the premiere opportunity came along, I quickly and quite profoundly realised how big of a mistake I've made by not really giving the band a chance years earlier. In fact, not doing so proved to be one of the biggest blunder I've made in my entire life, in terms of my music listening habits. The track we premiered over here at THE SLUDGELORD, "A sea of false smiles hiding murder, jealousy and revenge", was so impactful and effective that it plunged me harshly into a very overwhelming Rorcal binge for weeks. Those weeks were full of amazement, awe, and sound-inflicted pleasure that felt otherworldly altogether, and all that time I kept kicking myself for being neglectful towards the band before. I'm certainly glad that has forever changed as of now.

"Muladona" is Rorcal's fifth full-length releasing on November 8th through Hummus Records, thematically based around a novel of the same name by Eric Stener Carlson, mirrored through the bleak and violent whirlwind of dissonant and abrasive death metal, borrowing flavours from blackened aesthetics and noise (quoting myself like a champ here). The author also lends his voice to the band as a narrator throughout the album. The close interaction between the two makes up an extremely transcendental experience, tying the whole epos together in an unprecedented manner, capable of engulfing your focus fully for its entire duration.

Opening with an intro track "This is how I came to associate drowning with tenderness", it's clear right from the beginning that this is something else. The haunting atmosphere created by the amalgamation of drones and the narration, along the drum and bass hits pave the way to a half an hour's worth of godless and violent, utter satisfaction. "She drained you of your innocence, and you poisoned her with it" spews forth an overly sorrowful and dramatic atmosphere, commencing with a slow and airy pace for a good while. Amping up constantly, the track picks up speed and force for a five minutes before exploding into its black metal-esque, blast beat driven final moments. Ending to some insect samples and gasps, it's easy to picture yourself on the narrators position, as you're surely trying to catch your breath before the next track kicks in.

"I'd done my duty to my mother and father. And more than that, I'd found love" is an apocalyptic piece drawing influence from a lot of places. One of the best things on the album is that how seamlessly all influences, all these different tones blend in together. The almost folk-ish approach to some leads join the most abrasive kind of death-flavoured crushing beating while being viewed through a very blackened lens. The vocals also take the spotlight here, as the desperate yet powerful screams carry the story onwards with the narration. The following and the first pre-released track "A sea of false smiles hiding murder, jealousy and revenge" packs in the kind of fury and agony that makes it perhaps the most effective and interesting cut on "Muladona". This shortest and most vile track acts also as a perfect bridge to the second half of the album, being placed right to the middle and having the sinew to capsize the listener's well-being due to its disgusting but fascinating and enveloping nature.

The following pair, "Carnation were not the smell of death. They were the smell of desire" and "The only constant in this world is blackness of the human heart" push Rorcal's musical limits right to the edge of being unbearable noise, but right when the hypnotizing chaos starts to dare getting too much, they change the direction and let you breath. Although most of the album is pretty relentless and suffocating, the short moments of quietness and tranquillity filled with samples and dynamics give just enough air to the album to avoid getting nauseating. The narrative takes a stronger weight towards the end, and the story gets more interesting and compelling throughout, despite being very uneasy and even deranged at times.

The culmination point of the album lies at the pinnacle of it, the magnificent closer that is "I was the Muladona's seventh tale". There's a sense of closure found here, fittingly similar to the last twenty pages of an extremely immersive and rousing book. The tale is brought to its dismal end in a sentimental fashion, picking along the tastier spices from across the album and grinding them into one very eloquently. Massive breakdowns follow each other consecutively, leading ultimately in a mental one. The narrative is brought to an end over few minutes of noisy drones, while you're left in a state of mind that's infuriatingly hard to describe.

It takes time to fully grasp and figure "Muladona" out, let alone to depict it in sensible words. "Muladona" is a grand piece of music portrayed in a setting that hasn't been done before in this extent. It quickly became obvious that not only this album is amongst the top ones of this year for me, it's also amongst the best albums I have ever heard. And all that from a band who's history was completely out of my view before hearing this album. I sincerely hope that some of my blabbering above made even the slightest of sense, and if not else, at least peaked your interest to give it a listen. The feelings that Rorcal is able to generate with "Muladona" are ponderous and many, that should be dealt with accordingly. Long after the album's finished, it'll echo in the silence you need to surround yourself with after experiencing it, calling and alluring you back into its black embrace.

”Muladona” is available HERE






Band info: bandcamp || facebook

Thursday, 26 September 2019

TRACK PREMIERE: Rorcal debut "A sea of false smiles hiding murder jealousy and revenge"

By: Eeli Helin


It is a tedious task to dig for striking and fresh music from the heaps of uninspiring bulk, but a delightful one when it pays off. It is also extremely pleasurable to be approached with something stunning and magnificent, for a premiere, for instance. Leading an obvious bridge from there, RORCAL are one of those outstanding ones. They're releasing their new album "Muladona" on November 8th through Hummus Records, and we're pleased to bring you the first single cut "A sea of false smiles hiding murder jealousy and revenge" today.

Three years after their previous effort "CREON", the band returns with an adaptation of a novel of the same name written by Eric Stener Carlson, mirrored through the bleak and violent whirlwind of dissonant and abrasive death metal, borrowing flavours from blackened aesthetics and noise. The droning and haunting feel carries through the album, the latter aspect being very prevalent in this particular track. Drenched in horror and cacophonous terror, "A sea of false smiles hiding murder jealousy and revenge" will gnaw your bones clean and leave you with a tense expectation for the rest of the album.

The track offers few isolated, passing moments of clarity that will only drag you deeper into its depths. There is a sense of despair very rarely obtained in such a graceful manner, which only goes to underline the primal force of RORCAL, the key atmosphere on the album, and the deep meaning behind every single word. Sit back, prepare to sink into the lyrics and blow out your speakers with the track from below.  ”Muladona” is available to preorder HERE

Band info: facebook

Wednesday, 24 August 2016

ALBUM REVIEW: Inter Arma - "Paradise Gallows"

By: Charlie Butler

Album Type: Full Length
Date Released: 08/07/2016
Label: Relapse Records



Paradise Gallows” is a monstrous monument to Inter Arma’s colossal ambition that captivates for every second of its mammoth 70 minute duration. Few other bands blur the boundaries between genres as effortlessly while still delivering songs of this quality.

Paradise Gallows” CD//DD//LP track listing:

1). Nomini
2). An Archer in the Emptiness
3). Transfiguration
4). Primordial Wound
5). The Summer Drones
6). Potomac
7). The Paradise Gallows
8). Violent Constellations
9). Where the Earth Meets the Sky


The Review:

There have been some epic records released so far in 2016 but nothing as mind-bogglingly huge as Inter Arma’sParadise Gallows”. The Virginia quintet’s new LP is a vast voyage on a galactic scale across the spectrum of heavy music.

 Nomini” opens the record in subdued fashion. Soaring lead guitar lines ride above spacious acoustic guitar to create a haunting nocturnal atmosphere reminiscent of Pallbearer’s “Sorrow & Extinction”. The track fades out only to return later in “Potomac”, the album’s centrepiece. Organ and piano join the fray to elevate the song into a grandiose slab of raw classic rock.

Elsewhere on “Paradise Gallows”, Inter Arma take their music to entirely different places. There are abrupt shifts in sound and style from track to track that sometimes make you wonder if you are listening to an entirely different band. Sudden changes like this can be jarring and result in an uneven listening experience, but they only enhance “Paradise Gallows”. Every track on this record feels meticulously crafted and sequenced to be the logical next step in this bizarre journey into the unknown.

The relative calm of “Nomini” is destroyed by the onslaught of “An Archer in the Emptiness” and “Transfiguration”. Both tracks are epic fusions of lumbering sludge riffs, death metal intensity and insane drumming forged in a cauldron of cavernous reverb. Imagine listening to Mastodon’sRemission” in an echo chamber with all elements apart from the drums slowed down to half-speed and you won’t be disappointed. The band hone this progressive approach to perfection for “Violent Constellations”, ramping up the complexity even higher with restless, spidery guitar work.

Primordial Wound” and “The Summer Drones” see the band focus on relentless repetition of minimal one chord riffs. The hypnotic pull of these riffs increases with each iteration, weighty slabs of doom that draw the listener ever deeper into psychedelic oblivion.

Not content with having covered these bases, Inter Arma contribute a couple of contrasting ballads. The massive title track is a rumbling, Neurosis-style dirge split between passages of hushed, dustbowl soundscapes and explosions of crushing, spaced-out doom.  Where the Earth Meets the Sky” is a different proposition, a sparse acoustic close to the record that provides a suitably powerful yet understated conclusion.

Paradise Gallows” is a monstrous monument to Inter Arma’s colossal ambition that captivates for every second of its mammoth 70 minute duration. Few other bands blur the boundaries between genres as effortlessly while still delivering songs of this quality.

Paradise Gallows” is available here

Band info: bandcamp || facebook

RIYL: Tombs, Cult of Luna, Neurosis, Rorcal

Friday, 8 April 2016

Rorcal - "Creon" (Album Review)

By: Chris Bull


Album Type: Full Length
Date Released: 25/03/2016
Label: Halo of Flies |
Unquiet Records | Lost Pilgrim Records |
Bleak Recordings | Division Records



'Πολυνεκης' leads the way with its jagged, maelstrom of a riff, 'ντιγνη' washes over you with its 'Criminally Insane' like drum intro. Blast beats are plentiful as the hellfire riffs spew lava in every direction. The intro of 'Αμων' draws you in with its brooding, darkness before it rages violently into oblivion with nods to the older gods and 'Ερυδκη' phlegmatic in its delivery, is a chunk of pure bludgeoning darkness.  This record is that good, I'm willing to go out on a limb and call it an album of the year contender. Much like the Hivelords last year; Rorcal have pushed their own envelope further and further into the realms of possibility and although they may dwell in darkness, the future is bright.

“Creon” CD//DD//LP track  listing:
1). 'Πολυνεκης'
2). 'ντιγνη'
3). 'Αμων'
4). 'Ερυδκη'


The Review:

'Creon' is the newest album from Swiss post black/sludge outfit Rorcal and is indicative of the violent, evil forces of Mother Nature. Each element combines to form a torrent of acrid, yet melodic sound.

'Πολυνεκης' leads the way with its jagged, maelstrom of a riff. It slowly builds through a resplendent cacophony, complete with stabbing cymbals and hypnotic guitar layers into Altar Of Plagues like pummelling. The barrage continues with plenty of subtle nuances but without rest. You're already consumed by the tidal pull and gasping for air by the time 'ντιγνη' washes over you with its 'Criminally Insane' like drum intro. This time, the build up is short; Yonni's vocals churn in the blackened waves. Some Norwegian Second Wave riffs bare their teeth for a few moments among the intelligent song crafting. The song dissipates into some melancholic shredding, destroying its structure before rebuilding into a furious storm.

The intro of μων' draws you in with its brooding, darkness before it rages violently into oblivion with nods to the older gods. The intro riff is once again the jumping off point for the song as it takes a slightly more frantic turn. Blast beats are plentiful as the hellfire riffs spew lava in every direction and nearing the song's end, the notes are left to cling to the smog filled air. ρυδκη' phlegmatic in its delivery, is a chunk of pure bludgeoning darkness. Something inherently nefarious lurks beneath the intricate melodies and machine gun drumming, almost as if something has forced their hands. By the time the track's twelve plus minutes have elapsed, you will feel like Pliny the younger, surveying the city of Pompeii after Mount Vesuvius erupted.

This record is that good, I'm willing to go out on a limb and call it an album of the year contender. Much like the Hivelords last year; Rorcal have pushed their own envelope further and further into the realms of possibility and although they may dwell in darkness, the future is bright.
Creon” is available here

Band info: facebook