Perception
is a curious thing isn’t it? It is the
way in which something is regarded, understood, or interpreted, but our ability
to fully appreciate something can be stunted by a lack of knowledge or
awareness, or our blind refusal to embrace something without having consumed it
first. Something which is unfamiliar
can be scary and as individual’s we tend to stick to what we know, in fear of
making ourselves vulnerable, or the target of ridicule from friends, family,
work colleagues etc.
Take
music for example, and for the sake of this blog, heavy music. The way that we
perceive things is often based on familiarity, oh that band sounds like Sabbath, I’m sure to like it, or the way
we perceive a band can be based upon uneducated stereotypes or associations on
a superficial level, black metal and churches, nu metal with baggy trousers and
so on, but if we take a step back and perceive something without prejudice, by
educating ourselves, by absorbing information, or in the case of music, judging a band solely on the music, as
individuals we can transcend these boundaries or barriers to good music and
judge music solely on merit.
If
we strip away the baggage associated with music, things such as consumerism, or
prejudice associated with gender, race, religion culture, it doesn’t matter
whether it is popular music or underground music, if we strip it back to its core,
if we listen without prejudice or fear of ridicule, then as individuals we can
truly have a better appreciation of things and break down barriers.
Why has THE SLUDGELORD gone
all philosophical you might ask, because today’s guest Kunal Choksi, is a man
attempting to change public perceptions in heavy music, a heavy metal fan of 20 years, he created a
label whose very name Transcending Obscurity resonates with many of
the themes discussed, indeed if you take those two words and attach some
meaning to them, the very essence of their philosophy is to rise above
stereotypes and educate consumers that there is talent all over the world, yes it may be unintelligible
and ambiguous to some, but by giving this talent a voice or a platform, the
obscure can rise and hopefully in the process change perception and if that
occurs, then Kunal Choksi has succeeded in his mission,
to
transcend obscurity.
Kunal, can you tell us a little bit about yourself and your background.
Thank
you very much for this interview! It means a lot to us and hopefully our bands
can get better exposure. Well, I'm from Mumbai ,
India and have
been a metal head for over two decades now. I've been writing since 2004 and
started a webzine called “Diabolical
Conquest” which was renamed to “Transcending
Obscurity” to signify better intent and purpose. Along the way a record
label was started and subsequently even a PR company of the same name. I'm also
learning guitar and drums and hope when I'm old and bitter, I can start a band
of my own. I don't have high expectations of it but it's some kind of a carrot
dangling in front of me that makes me crawl ahead despite being overburdened
and stressed already. I dabble in art too but suck and need more practice (and
time!).
What inspired you to start a record
label?
In
the last decade, it was after having reviewed ALL the releases of this obscure
death metal band from Australia called THE DEAD, and even conducting an interview
with the band, that I was asked if I knew any record label that they could work
with. It then dawned upon me that instead of urging my label friends (in vain)
to sign that band; I could do that myself and give them what they wanted. The
intention was noble and naive but I suppose I did well for that band
eventually. I'm grateful to all the bands that put their faith in me and I can
only hope I didn't let them down a lot.
What are some of the difficulties
you have faced and currently face?
The
most difficult thing is to convince bands to work with you, especially when
you're based in India .
It's not my fault that I was born here. I worked my way up and spent countless
years trying to push bands without expecting anything in return mostly via the
webzine. With my label, I had to face a lot of criticism when I decided to
start a sub-label and even distribution legs and work with inexperienced bands.
My intention was to give them a good platform and visibility internationally
and I think people in the press and even otherwise are not as surprised as they
used to be when they come across Indian metal bands after having put out over
30 releases of bands from the Indian subcontinent. Some bands take it all for
granted and give you a hard time, as if you're their servant. I get tired man.
I work very hard and under depression most of the time. All things said and
done, I suppose my work had some result and perhaps some bands are better known
after all I did for them. I guess I can live with that.
What would you describe as
Transcending Obscurity's 'vision' or 'philosophy'?
I
used to be very anal earlier on and didn't sign bands easily. I was interested
in more original-sounding music or what appealed to me in a certain way. I've
become more open-minded since but I'm still very particular about the quality.
Since the name change to Transcending Obscurity,
the intention has been to help them rise as the name suggests and that's
why I'm focusing a lot more on the PR part of things than anything else and
still prefer to do the PR work myself as opposed to hiring other PR companies
(not that I can afford them anyway, haha).
Are there other labels that have
inspired you? Other labels you think people should look into?
Of
course there are labels that I keep observing and ones that keep repressing all
the time because their sales are so good. Admittedly I've yet to reach that
level but I don't have a lot of strong local support nor can I attend festivals
like in Europe and have stalls there or travel
in vans carrying my merchandise. It's a drawback for sure but with low shipping
costs worldwide, perhaps the word will spread and for the sake of getting good
music, they won't hesitate to order from India directly haha.
Tell us about some of TO's earlier
releases you think people may have slept on.
Oh
there are a few that could've done better but probably due to the year-end
timing, didn't as much as anticipated. They'd include this fantastic stoner
doom band with death metal influences called ALTAR OF BETELGEUZE, the sublime
sludge/doom band from Ireland
called SOOTHSAYER,
and even the great Finnish blackened death metal band SEPULCHRAL CURSE. There's also
this reissue of the old school death metal band WARLORD U.K. 's classic album
that's as solid as it gets. I wish the SWAMPCULT album did better for all the effort
that I put into its packaging and promotion. Oh well, at least I tried. Thanks
for asking that question! Here are their official Bandcamp links -
ALTAR
OF BETELGEUZE
- https://altarofbetelgeuze.bandcamp.com/
SEPULCHRAL
CURSE
- https://sepulchralcurse.bandcamp.com/
What upcoming releases are you most
excited about?
Right
now I've got my hopes pinned on the Israeli black metal band ARALLU
and the stoner/doom/shoegaze band MINDKULT from US, but beyond that, I'm very
excited about the upcoming releases of the experimental black metal bands ISGHERURD MORTH
(International) and ARKHETH (Australia ) who've used saxophone
bits in their eccentric music. Even the black/thrash band AFFLIKTOR are very refreshing in
their approach and their album will be up soon for pre-orders. There are also
releases planned of a couple of unannounced Spanish death metal bands. Then
there's this crust band MARGINAL from Belgium and their music flat out
rules. And then there's this sludge/doom band from Brazil called JUPITERIAN and they're going to
release a stunner as well. It's going to be coupled with the release of the
Finnish sludge/doom band LURK which I love. There are also these two
supergroups, HEADS
FOR THE DEAD and TOWARDS
ATLANTIS LIGHTS who're yet unannounced and their music is
jaw-dropping. Watch out for their official announcements/pre-orders soon!
With
regards to the bands on the Indian/Asian sub-label, you can look forward to the
releases of death metal bands like GUTSLIT and FRAGARAK, doomsters DJINN AND
MISKATONIC, heavy metal band KNIGHT
(for whom I'm painting the album artwork) and there's also the upcoming release
of thrashers EXALTER
from our neighbouring country Bangladesh. Somewhere down the line, I also have
to put out releases by black metal bands SOLAR DEITY and STARK DENIAL.
Tell us about some of the newer
bands on TO's roster.
I
haven't yet announced most of them but the latest signing that was made public
was of this Swedish death metal force FERAL. You can find the announcement link here
-
It's
going to a mix as always of all styles and sizes. I understand as of now it's
difficult to find a niche tag for the label but I hope eventually, people will
embrace the diversity and see the consistency in quality. I'll work hard as
always and will leave it for others to decide. I've seen too much to be shaken
by criticism or setbacks. I fear letting the bands down by not doing enough but
I can't control the outcome where it comes to the sales at least. This year
hasn't been too good financially with my foray into vinyl which has yet to pick
up, but without daring to try new things, I'd never find out for sure haha. The
box sets have met with a very good response however. I'm going to experiment
with the tape format next.
What does the future of TO look
like, from your perspective?
I've
never been able to predict such things but I'm glad to make new friends,
customers and have more bands working with me. I hope people will look beyond
the country I'm from and give me a fair chance. Again, worldwide shipping for a
T-shirt/CD is only $2.99 USD with just $0.99 per additional item so it
shouldn't be too difficult haha.
Thanks
once again for taking interest in my activities and appreciate all the help
that you/THE
SLUDGELORD have offered us!
Transcending
Obscurity Official Site - https://tometal.com/
Transcending
Obscurity Records Bandcamp - http://transcendingobscurity.bandcamp.com/
Transcending
Obscurity Records Facebook - https://www.facebook.com/transcendingobscurityrecords/