Welcome to The Sludgelord!
Presenting up to date news, reviews & interviews for riff addicts around the world.
This is 'Liberation through Amplification.'
Monday, 7 January 2019
ALBUM REVIEW: Terrorizer, "Caustic Attack"
By: Elliot
Paisley
Album Type: Full Length
Date Released:
12/10/2018
Label: The End Records
On “Caustic Attack” Terrorizer at times sound
positively apocalyptic.
“Caustic
Attack” CD//DD//LP track
listing:
1. Turbulence
2. Invasion
3. Conflict And Despair
4. Devastate
5. Crisis
6. Infiltration
7. The Downtrodden
8. Trench Of Corruption
9. Sharp Knives
10. Failed Assassin
11. Caustic Attack
12. Poison Gas Tsunami
13. Terror Cycles
14. Wasteland
The Review:
There
are few bands in the history of grindcore as significant as Terrorizer,
and yet they remain unsung heroes. Napalm Death lay the foundations, alongside
contemporaries such as Extreme Noise Terror and Repulsion, but one could argue Terrorizer’s
work has seen more of a direct influence.
The
band is perhaps most acclaimed for their wildly savage debut, 1989’s “World
Downfall”, which famously featured extreme metal demigods, David
Vincent of Morbid
Angel and Jesse Pintado, who would later join Napalm Death. With the
incorporation of a more guttural vocal style as well as more technically
accomplished riff work, while still maintaining the necessary socio-political
aspect, this interpretation of the style has shown longevity, present in bands
such as Wormrot,
Nasum,
and Insect
Warfare. The album was more arcane and menacing than any grindcore
album that had come before, and tragically, for 17 years it appeared to be the
sole, defiant statement this band would make.
The
band has since reformed twice. Firstly, in 2005 to release the so-so “Darker
Days Ahead”, which displayed the band performing in a more linear
fashion, instead of performing more of the straight-forward death metal
Sandoval had been producing with his long-time day-job, Morbid Angel. The album would
prove to be the final release featuring Jesse Pintado to be released in his
lifetime, and while many look back on it as a fairly unimpressive swansong for
an extraordinary character, the album still had moments which would please any
fan anticipating their return. The 2012 follow-up
“Hordes
of Zombies” proved to be a further disappointment, virtually
disregarding the savage hardcore that is so vital to impressive grindcore, and
instead striving for a sluggish take on death metal. All hopes appeared dashed
in relation to Terrorizer,
as many began to forgivably disregard interest in their future.
When
a long-standing band releases an album, fans often struggle to resist comparing
it to their classic works, for better or for worse. In most cases, it is a
valid comparison to make.However, in
the case of Terrorizer,
it is important to make such a distinction; on “Caustic Attack”, they are
down to just a single original member. With the exception of Sandoval, everyone
on this album is making a debut performance. This could lead one to question
the chemistry of this group; a band with a 30-year legacy ought to have
remarkable chemistry, and this could prove difficult when 2/3rds of the band
joined in 2013. However, it immediately becomes clear this is not an issue for Terrorizer,
as “Caustic
Attack” proves to be their most artistically successful album since
their 2005 reformation.
It
appears Terrorizer
(or perhaps just Sandoval) have acknowledged they are a far more impressive
grindcore band than they are a death metal band, and for the first time since
coming back, they are leaning on that crutch. This provides an immediate
refreshing quality to the album; gone is the continuous dirge of low-energy
death metal the band have been pedalling for years, and present instead is a
more violent, splintered attack. While still not as savage as the band's
contemporaries, with Napalm Death and Pig Destroyer still proving they
can be more menacing and grotesque than ever, there is an obvious improvement
here. The band is clearly superior when they focus on 1-minute displays of
brutality, highlights of the album including “Turbulence”, “Invasion”,
“Poison Gas Tsunami”, and the
intoxicating title-track.
The
album is by no means flawless; firstly, some of the tracks are still overly
long. Numerous tracks approach 5 minutes, and all of them prove to be the most
tiresome moments on the record. The attacks feel dulled when they’re stretched
out in this nature and these longer songs are simply not warranted.The production is also a curiosity; it sounds
more sharp and well-shaped than any of their past albums, and yet it feels
lacking in the low-end and, in some moments, almost sparse. Were this given a
production job courtesy of Kurt Ballou, Will Yip or Arthur Risk, this album
would see an immediate improvement, and perhaps the tiresome ‘long songs’ would
feel more digestible.
Overall,
Terrorizer
and their fans can call “Caustic Attack” a success; the band
has cured some of the glaring ills present on their post-reunion works, as well
as writing some songs that fans can genuinely look forward to hearing live and
have earnt a place in their set list on merit alone. Grindcore is at its best
when it feels like a disaster and on “Caustic Attack”, even if only for
brief moments, Terrorizer
sound positively apocalyptic.