Album Type: Full Length
Date Released: 05/10/2018
Label: Century Media Records
On “The Inextricable Wandering”, Ultha have shown
both potential for the future and a mastery of what they have already achieved.
“The
Inextricable Wandering” CD//DD//LP
track listing:
1. The Avarist (Eyes Of A Tragedy)
2. With Knives To The Throat And Hell In Your Heart
2. With Knives To The Throat And Hell In Your Heart
3. There Is No Love, High Up In The Gallows
4. Cyanide Lips
5. We Only Speak In Darkness
6. I’m Afraid To Follow You There
4. Cyanide Lips
5. We Only Speak In Darkness
6. I’m Afraid To Follow You There
The Review:
While having
a well-renowned pedigree for producing exceptional heavy metal, Germany
has scarcely produced a black metal outfit who can compete with their
Scandinavian and North American competition. It’s a curious blemish; thrash
metal, power metal, classic heavy metal and even death metal all have Teutonic
titans. Yet, there isn’t a German black metal band who can be held in the same
regard as Wolves
In The Throne Room or Altar Of Plagues, much less Burzum, Bathory
and Emperor.
However, while Ultha
are still in what is, comparably, the embryonic of their career (having only
formed in 2014), the potential displayed on their 3rd studio effort “The
Inextricable Wandering” more than makes them worthy of attention.
It is
vocally where the album stands out in its more defiant form. The stereotypical
vocal employed in black-metal has, over the decades, developed into a fairly
limiting art form. With seemingly either a banshee-wail or a demonic rasp being
the two options one can employ, it is wildly refreshing when bands strive into
unexplored territory. The vocals present on this album, while sparse, provide a
more guttural, avant-garde counterpart to the chilling instrumentation. With a
duelling vocal dynamic that owes more to both Douglas Pearce and Nick Holmes
than to Ihsahn and Cronos, the band explore peculiar frontiers, and makes for a
welcome, refreshing listen. Black metal, to those who care less for it, is
often described as a limiting art form. While it is true that there are key
tropes commonly adopted by countless black metal outfits, this can also be part
of the charm. Like fans of slasher films, those who worship this style of music
often enjoy the rules and boundaries, seeing them as guidance rather than
restrictions. While there is something to be said about tunnel-vision
allegiance to the rules of a bygone era, it is far more refreshing to hear
deviation, especially of such a high standard.
Musically, admittedly, there isn’t a great deal to report; Ultha play atmospheric black metal, a genre which has suffered from overpopulation, but it is performed to a standard of brilliance. While the genre has indeed grown saturated and many dedicated black-metal fans have accused it of expiration, it is performed with quality and conviction that it is impossible to resist. It provides a stark, monochrome backdrop to the superb vocal performances, and allows the songs to breathe in the way they warrant.
Musically, admittedly, there isn’t a great deal to report; Ultha play atmospheric black metal, a genre which has suffered from overpopulation, but it is performed to a standard of brilliance. While the genre has indeed grown saturated and many dedicated black-metal fans have accused it of expiration, it is performed with quality and conviction that it is impossible to resist. It provides a stark, monochrome backdrop to the superb vocal performances, and allows the songs to breathe in the way they warrant.
The
production job on this album is also something to behold. In the last decade,
it has become more acceptable for black metal artists to opt for more
professional production. Both major-label players like Dimmu Borgir or Cradle of Filth
as well as cult icons such as Forteresse and Agalloch have encouraged the
presence of clean, lavish instrumentation, and that effect can be felt on this
album. “The Inextricable Wandering” would not be half the album it is
if the material was quashed with a sub-par production, and this is the finest Ultha
have sounded so far. On past albums, they’ve shown ambition in this regard but
failed to do justice to their capabilities but now, perhaps with the backing of
Century
Media, they have the tools available and the know-how needed to
improve their art and it’s made all the more tremendous for it.
Ultha are still new to the
world; they’ve not even been a band for five years. Yet, on “The
Inextricable Wandering”, they have shown both potential for the future and
a mastery of what they have already achieved. With three albums now under their
belt, it is clear that they have progressed at an extraordinary rate, and
they’ve finally released an album that justifies their talents. It’s exciting
to ponder at where this band may go next. All we know for sure is that we can
trust them.
“The
Inextricable Wandering” is available HERE
Band info: facebook