Showing posts with label Doomed & Stoned. Show all posts
Showing posts with label Doomed & Stoned. Show all posts

Sunday, 25 January 2015

2014/2015: A Tasty Round-Up On French Stoner/Doom! - Part 1

Just a few years ago the (kind of) scene report which follows would have been much shorter... Indeed, France has a growing scene, sure it still lacks of leaders and too many bands are suffering from the limits of their own (DIY) possibilities (for Live considerations more especially) but it is damn solid in quality and diversity.

The list is of course non exhaustive but here's a round-up on a great part of the most interesting releases that came out of the French Stoner/Doom community in 2014; bands will be ranked in alphabetical order... if I forgot anything that you might think essential, you can still leave a comment in the dedicated section (that's its main purpose) thanx ! anyway I hope you'll discover some great stuff here and support some of the contacts linked...

A VERY OLD GHOST BEHIND THE FARM came back in early 2014 with "la came crude" (after a debut album and a split with Wheelfall), a concept album consisting in a single song of 45 minutes ! Still oscillating between blackened sludge and infectious stoner/doom, this 2nd offering marked a big step forward in terms of composition... this album is definitely a masterpiece of gloomy hideous horror !

After a promising debut EP in 2011, BARABBAS took more than 3 years to record their 1st full length "messe pour un chien"... a long process that was definitely worth the wait ! During a deadly hour and 8 songs, the band amazingly improved its punchy Trad' Doom with ominous atmospheres and a solid work on lyrics and refined harmonies... a fantastic release really !

The "sombre Novembre tour" with the magickal Goatess was an awesome blast and saw the saints gaining a lot of fans and confidence... If they come to play somewhere near your door in the future, don't miss their redeeming sabbath !!! hopefully now some label could be interested to release this crushing masterpiece on vinyl... ? meanwhile make sure to visit their bandcamp -


With "chasma hideout", BRAIN PYRAMID released a brillant album last summer... The fuzzy psyched-out Stoner trio signed with Acid Cosmonaut Records and toured France/Spain/Portugal right away... Too bad that Ronan Grall (voc in Huata but playing the role of bassist here) left shortly after because he definitely brought something special to their sound but Baptiste and Gaston will keep things fuzzing on and bring the band far for sure...

Pretty unknown (even domestically, probably because a bit isolated in the East of France -Strasbourg-), BULL TERRIER managed to put out a very interesting debut album with "be like water"... The quintet finds a great balance between southern grooves and psyched-out Stoner Rock; giving especially an above the average place to long twirling guitar soloing, this band's pretty different from any other around.

CONVICTION is the one-man band of Amduscias - vocalist in Temple of Baal (one of our very best black/Death metal bands), there's a great demo on bandcamp to download for free... an interesting homage to the good old gloomy Traditional Doom... assuredly to follow, moreover if the experimented guy finds a line-up to complete new stuff and play live -

FANGE is the new band of Ben from Huata and Baptiste from Brain Pyramid, another new proud of Roazhon (Rennes if you prefer, capital of Britanny) hahaha ! the guys also got ideas when it comes to play some of the harshest Sludge you can think about, eyeing on noise with industrial and even old grindcore hints. "Poisse" their debut EP is sick, dig it !

FATHER MERRIN finally released their debut EP "all is well that ends in hell" and we've got here a serious combo delivering crushing Doom METAL with utter conviction and well digested influences (even if old Cathedral is never too far)... They have a massive metallic sound bathed in gloomy heaviness which takes a pretty impressive dimension on stage !



FORSAKEN PEDDLERS is THE perfect (new) band to get into if you like epic Heavy/Doom Metal, "songs of fate and freedom" is absolutely recommended for fans of Candlemass and Atlantean Kodex... a debut recording of such quality is simply rare -

JACKHAMMER from Rennes is a monster of Metallic groove in the Nola vein, very gnarly with great vocals... They're playing regularly in the western part of France and their 5 tracks EP is a very good introduction to their loud and kickin' sound...



MARS RED SKY 's "stranded in Arcadia" is - with no doubt and by far I guess - the french album that had the more success in the worldwide scene in 2014... This 2nd album is a little jewel where the band's unique fuzz and vocals take a new dimension. The deal with Listenable rds seems to have opened new doors to a band that lives for the LIVE and never disappoints wherever they play !!!

After a long delay, MOURNING DAWN "les sacrifiés" has finally been released in 2014 by Total Rust Rds and it really makes another proof that France is particularly at ease with blackened sounds ! the kind of great band that first suit to Black metallers, then catch doomsters attention with alternatively slow, atmospheric and tortured doomy moods... great work that hopefully should maintain a certain dynamic for composing more quickly new stuff !

PRESUMPTION's EP "from judgement to the grave" is a nice introduction to this young Doom'n roll band from Le Mans that still needs to develop its identity but in no way lacks of faith and energy, that's a name to follow for sure -

SERPENT VIEW comes from Toulon (Mediterranean coast) but their Doom has nothing exotic at all, the instrumental band crushes like rarely these days on our soil ! at times versing on impending sludge/doom, at times more atmospheric with a taste for tribal-like percussions and pagan moods... this really needs to be discovered and hopefully will lead to more sometime this year -

If you're into punchy Heavy/Doom Metal with sharp guitars and a slight epic edge (which could remind the mighty Obrero at times), "The Godless" by STONEWITCH is a refreshing little demo that you would dream of getting from the hands of your postman... musicianship is more than pretty tight here, a great metallic bath into the early 80's metal, that's damn good !

WITCHTHROAT SERPENT consist of long experienced musicians coming from various horizons of the (extreme) underground, if the band reckon an obvious admiration for old Electric Wizard, the guys are playing more tightly than your average new band and perfectly got it for occult and weedy atmospheres... it looks like this band could become something quite important in the near future; find them again in the 2015 section...

    

ZOMBIE KING four Tracks EP "calling the unknown" didn't catch all the attention it deserved; this female-fronted Stoner Rock band sometimes remind me Royal Thunder, not just for the great vocals.


Written by Steph LeSaux

Part 2 will appear on Doomed & Stoned very soon. Will add link when article has been published.

Tuesday, 25 November 2014

The Sludgelord and Doomed & Stoned Present: An Interview with Goya at Day of the Shred Fest


A definition of Do it yourself (DIY) is the method of building, modifying, or repairing something without the aid of experts or professionals, the reason I mention this, is that there is an increasing trend for bands to do things themselves, indeed if you have a vision of what you are trying to represent or wanting to achieve and have the means to be able to do it yourself, then invariably you are best placed to do so. 

Yes, the financial support of a big label invariably leads to better distribution of your music, which in turn leads to better tours, which means possibly reaching more fans, but ultimately for a fan what DIY represents, is that CD or vinyl or shirt you buy, goes directly to band, who in turn reinvest back into their music.  This is nothing new of course, every band starts this way, but due to the medium of social media, a band can reach so many more people now, then say, 30 years ago.

One such band who personify DIY, is the band Goya, who with the release of their record ‘777’ have steadily became a hot topic within the stoner doom community.  For me, ‘777’ is a future classic in waiting (and this is not just my belief), indeed Goya financed, recorded and distributed the record themselves, and it is a mark of their sheer determination and passion for music, that their hard work is finally starting to pay off with their recent signing to revered boutique label STB Records. 

With a forthcoming split with Wounded Giant (review here) and a second full length coming in 2015, make no mistake, by this time next year, one of the big labels will be knocking on their door.  Prior to their appearance at Day of the Shred fest, Frank Heredia hooked up with the band, who gave a full and frank insight into the band and also what we can expect from the band over the next 12 months. 

The Sludgelord and Doomed & Stoned are proud to present, the 2nd of our series of interviews from the aforementioned Day of the Shred fest.  So sit back, enjoy and keep it sludgy. 

Words by: Aaron Pickford

Monday, 24 November 2014

The Sludgelord & Doomed & Stoned Present: An Interview with Windhand at Day of the Shred Fest


On the 1st of November 2014, The Sludgelord continued our ongoing union with Doomed & Stoned by sending our intrepid contributor Frank Heredia along to the inaugral Day of the Shred fest in Santa Ana, California.  Over the next few days The Sludgelord and Doomed & Stoned will present a series of interviews from the festival, the first of which we share with you today.  

Frank was fortunate enough to speak with Garrett Morris and Dorthia Cotrell from Richmond, Virginia's Windhand, just before their trailblazing performance.  So sit back and on behalf The Sludgelord and Doomed & Stoned, enjoy the interview.  You can also check out our review of the festival here



Filmed & Edited by: Hugo Guzman
Inteview by: Frank Heredia

Wednesday, 12 November 2014

Doomed & Stoned - Doomed In Oregon

Doomed in Oregon cover art

Album Type: Album
Date Released: 07th November 2014
Label: Doomed & Stoned Free Compilation – Various Artists

Doomed In Oregon – Track Listing

1.Psyrup - Witch's Tit 10:31
2.Mothers Whiskey - Wickerman 05:47
3.Crag Dweller - Madness 05:01
4.Disenchanter - Into Darkness 11:20
5.Swamp Devil - Dishaunted 05:52
6.Mammoth Salmon - Call of the Mammoth 06:32
7.SkullDozer - Cold Moon 04:32
8.Silence The Father - The River 10:03
9.The Art of Colonoscopy - The Doom Song 03:20
10.H.C. Minds - Chained To Your Soul 11:14
11.Paleons - Odin The Wanderer 08:46
12.Randal T. Collier-Ford - Into The Monolith 08:39
13.Kemosabe - Devil's Three Way 05:19
14.Lucika - Ferryman's Toll 05:56
15.Mothers Whiskey - Mountain Face 03:36

Review:

Billy Goate at Doomed & Stoned has created another brilliant free compilation for you to download and get high to. After releasing a well received compilation back in July 2014 – Doomed & Stoned In Portland – Billy has gathered another set of great tracks to share with the world.

As Billy Goate states on the BandCamp Page - “This new compilation will take some of the darker tracks from Doomed & Stoned in Portland (July 2014) and couple them with some brand new tracks from unsung and under-recognized Oregon bands.”

This has bands that I haven't heard of such as Psyrup who open up this fine compilation with their excellent track – Witch's Tit. It's a fucking awesome tune that is a real highlight for me. Along with Swamp Devil, Mammoth Salmon and Lucika. If you want take a musical vacation to Portland, Oregon, then download this now as this EP is a must have release. So get downloading now. Let Billy Goate know The Sludgelord sent you!!!

Well done Billy. Can't wait for the next installment.

Words by: Steve Howe

For more information:

Tuesday, 23 September 2014

Interview with Billy Goate and Melissa from DOOMED & STONED


Today's guests have been responsible for one of the best blogs over the last 12 months or so. They have won fans across their globe with their heavy mix of reviews, previews, daily news, radio shows, daily video requests, live concert footage, and interviews with the best Sludge/Doom/Stoner Metal bands and artists have to offer.

Bit like ourselves, of course. We are huge fans of them here at Sludgelord HQ. We consider them friends and family within the Doom/Sludge/Stoner Metal community.

I am talking about the awesome webzine – Doomed & Stoned – which is led by the charismatic Billy Goate – with help from his cool partner in crime – Melissa. They are joined by a handful of contributors from around the world who give their time to connect you with their local scenes each week through Doomed & Stoned.

So let’s get to talking with these Stoned-Out Doomsters!!!

Q1 – Hi all. Thanks for doing this. How are things with you today?

Melissa: Great. Thanks so much for this, I'm pretty flattered!

Billy: Just to clarify, she’s pretty and I’m flattered. In all seriousness, we’re so busy doing this thing, our heads are spinning!

Q2 – Honour to interview the fine folks at Doomed & Stoned. So where shall we begin. What were the main reasons for starting Doomed & Stoned and how did it all come about?

Melissa: It was all Billy’s idea, really. He made a Facebook post announcing he was gonna create it and I just messaged him offering to help. I didn't really expect him to respond, but he did right away. Moments later, Doomed & Stoned was created.

Billy: Doomed & Stoned really started in response to a personal desire on my part to connect with fans of the doom-stoner genre. I just wasn’t finding a lot of people who shared my passion and interest in my personal circle of friends. Even the online metal forums I was active in didn’t seem to know what to think about a band like Electric Wizard or Windhand. I’ll never forget the first time I saw Saint Vitus (opening for Down in 2010), it did something to me. I call it my soul food. Surely there were more people out there who adored the pulsating, heavy sounds of doom! I was intent on finding out and the best way I knew how was to put the music out there, like a radio station, only with the capacity for social networking. Facebook seemed like the best place to start. From July 2013 on, it’s been a natural evolution from posting the music, to meeting the fans, to interviewing the bands, and that cycle continues and the circle widens, and now I’m thrilled to say I’ve met that original goal. I have made (and am continuing to make) incredible friends involved in the scene from around the world.


Q3 – How did you two meet – did you know each other before you started Doomed & Stoned?

Melissa: Kinda. We met in a Facebook group for heavy metal. Everyday had its theme, and Wednesday was death and doom day, so we became casual friends because of the forum.

Billy: Yeah, we developed an affinity right away for the same kind of music. It was great to have at least one person I could go to and say, “Have you heard this band?” who experienced the same kind of excitement as I for the music. We discovered a lot of bands together during this time.

Q4 – What is your main focus/reason in running Doomed & Stoned?

Melissa: Our goal is to help promote the underground. Of course, we’ll highlight the big dogs but our focus is on the unsigned and independent bands that we see so much potential in.

Billy: Yes, we want to really put a face on the various scenes around the world. There are so many bands right now that I think the average fan is overwhelmed by it all. In the process, they’re missing out on a lot of really good music. While I’d like to think that everyone listens to everything we post, it’s unrealistic to think so. That’s why we want to not only post a song or album, but also build interest in the band, its members, its history, and the scene that it comes from. While a lot of the more popular music webzines and blogs attempt this, I think Doomed & Stoned is always striving to make the experience more personal to the reader.

Q5 – Stupid question – Why the name Doomed & Stoned—any particular reasons behind it? (though I can take a wild weedian guess. HA HA)

Melissa: HAHA, I’m quite an avid marijuana enthusiast, so of course I love the name. Billy had come up with the name. I think it’s a pretty name clever and it just stuck.

Billy: You’ll notice my strategy of letting Melissa answer all the incriminating questions first! I came up with Doomed & Stoned quite simply—by putting together the two “bookends” of the Sabbath sound: doom metal and stoner rock. You’ll find Black Sabbath playing both ends of the spectrum and that’s the sound that’s inspired a revival in traditional heavy music.

Q6– Can you tell our readers of how a brief history or overview of how you became involved with music writing and where you are today.

Billy: Since both Melissa and I have full-time jobs, we don’t get to spend quite as much time in this area as we’d like, so it’s been baby steps. It took us a little while to figure out if we wanted to write about the music, or just post it. We kind of moved from interviewing to doing music reviews, mainly because we were getting so many requests from people.

Melissa: Doomed & Stoned is really my first experience writing. As a kid, I'd write a lot of poems and songs, and in high school I was pretty interested in rock journalism, but it just happened. So, this is my first real experience writing. I love it....it challenges me and helps me to be more in tune with what I'm hearing and feeling.


Q7 – You cover the same range of genres that we cover. Are there any genres that you wouldn't cover?

Melissa: Personally speaking, no, not really. I’m as big a fan of Testament and Death as I am of High on Fire and Clutch. Of course, I want to focus on what we're doing now, but I have no problem doing something a little different that might appeal to our listeners. I recently interviewed Goatwhore and it was well received. I think we have a lot of listeners that are also into black metal.

Billy: Like Melissa, I’m a fan of other metal sub-genres. Hell, I’m a classical pianist by training, so my appreciation for all music is as deep as it is wide. Because of the sheer volume of metal and rock out there right now, we’d go insane trying to cover everything—even if we only focused on the “best-of-the-best” or, say, just bands signed to a record label. Instead, I think we’re a better service to heavy music fans by focusing on the doom-stoner niche.

Q8 – You cover a lot of different things on your webzine: podcasts, reviews, interviews, video shoots, and a kind of daily music jukebox. Do you find it difficult to do Doomed & Stoned on a daily basis, especially if it hits your personal lives?

Billy: I experience a lot of anxiety sometimes about everything I need to do in a given day or week—new interviews to schedule, old ones to transcribe for publication, events to keep track of, new albums to plug, album art to showcase, in addition to coordinating projects like the recent Doomed & Stoned in Portland compilation, which was a massive undertaking. We finally had to create a weekly calendar, because things were starting to fall through the cracks. Why do I do it if there’s stress involved? Because the end result is worth it: helping lesser known bands to gain a global audience, turning people on to their next favorite album. In short, just bringing a smile to others—that’s what makes the late nights and early mornings worth it.

Melissa: We just do what we can. Family comes first. I have a small child and nothing on this planet will be more important to me than her. With that as first priority, I find time to do my daily request show Wake’n’Bake, I conduct regular reviews, do occasional interviews, and write the weekly Pick Of The Week segment along with my request show. Billy has his weekly radio show and mid-week podcast, to make sure we always have fresh content and he probably does other things I don't even realize, haha. It can be hard sometimes, but we love it.

Q9 – How has the reception been to your webzine so far? Has the response impressed the hell out of you or scared you in anyway?

Melissa: I find it encouraging that so many people like what we do. There's been plenty of "WOW!" moments that have inspired me and made me wanna do more. I'm not scared in the least.

Billy: I still get nervous interviewing bands. It took a lot of courage for me personally just to go up and shake Mike Scheidt’s hand after the first Yob show I ever covered. Now he gives me a smile and a big ol’ hug every time we see each other at a show. We’ve come a long way from early moments like to now writing a review of Yob’s new album (something we wouldn’t have felt “qualified” to do before) and conducting personal interviews with the man behind such epic songs as “Burning The Altar” and “The Great Cessation,” but here we are! Moving forward, we can and will strive to do what we do better and better, so we’ve got to continue to be open to feedback—good and bad.


Q10 – What's the team structure at Doomed & Stoned? Is there an overall leader who gives orders to the other team members? Or is it more relaxed than that?

Melissa: I think of it like, Billy is the CEO and I'm the Vice President. Billy is the one to make the ultimate decisions, but he talks with me a lot and we can bounce ideas off each other. We have a great relationship and we've become really good friends, so it helps that we know we can be honest with each other.

Billy: I’ve picked my team very carefully, choosing folks who know their music and really catch the vision of what we’re doing through Doomed & Stoned—trying to connect people in a personal way to the underground heavy music scenes in North America, Latin America, Sweden, Poland, The Netherlands, Italy, Greece, and beyond. I am a pretty friendly, easy-going person, which is a strength when it comes to building relationships with each team member. On the other hand, it’s also a weakness, because when I need to get people to follow-through on their commitments because we’re working against the clock, they’re not used to seeing my more “urgent” manifest when I really, REALLY need them to get their deliverables in. But mostly, I try to lead with love. I know, it sounds corny, but it really is a reflection of how I want this team to operate—as a family with the utmost passion for the music and a real sense of duty to get it into the hands of the people.

Q11 – Melissa, you have recently got involved with interviews. How did Billy get you involved with that? Were you scared when doing your first interview?

Melissa: I was scared shitless for my first interview, which was with Spirit Caravan back in April. I know the promoters that booked Wino, Dave, and Henry, and I guess they are all pretty tight. I was talking them one day, completely joking, and said "Hey, wouldn't it be cool if I could interview Wino?" and they said "Yeah, we can make that happen!" So I instinctively said “YES!” but was so terrified inside. Billy and I Skyped quite a bit in preparing the questions and walking through a lot of “what if” scenarios. In the ned, everything went really smooth and I even danced with Wino for a moment when Pilgrim was playing. It was such a cool experience that I decided I want to keep interviewing! This year so far, I’ve had the opportunity of interview Mike IX from Eyehategod and John Garcia of Kyuss fame.

Q12 – Melissa , I have to ask where did the idea come from regarding the daily video jukebox request show, as it's now taken a on life of its own? I do try to request stuff when I can. You must hear a lot of different bands and artists from people's requests.

Melissa: I call it an all-request show, Billy calls it live-blogging. The idea was to take a social media platform that most people use and treat it like you would an old-fashioned Friday night call-in request show on the radio—only do all this on Facebook. One of the big benefits is that for every request for “I’m The Mountain” by Stoned Jesus—you know, the popular stuff—there’s at least as many requests for more obscure stuff, which gives us all a chance to learn about new bands. Sometimes I get some far-out shit like some experimental noise rock band or something haha. And of course, I'll get a request for Destruction or Slayer every week, with the remark: "I get stoned while listen to destruction, so they’re stoner metal." Just gotta shake my head and laugh at that.

Q13 – Billy. You have become very involved with recording live gigs in Portland. How did that come about and is it hard to arrange, as some bands aren't keen having their gigs recorded?

Billy: Truthfully, I just started showing up and filming. Of course, my first shows were with bands that had invited me up to see them, Mothers Whiskey, Disenchanter, and Mammoth Salmon—all absolutely genuine and fantastic folks. They really made me feel at home, because I was very nervous being an outsider in the heart of hipsterdom. Thankfully, I haven’t encountered much resistance to filming. The one time I got asked to stop was in one of those “we’re too good for you” venues. The bands were ok with it, but the assistant manager of the place told me no. Ever since then, I’ve been careful to ask about the venue before I take the long drive up from Eugene to Portland (a four-hour round trip). Mostly, bands are happy for the publicity, plus my filming style has really grown since I started. Got a long ways to go (I’d love to have money for one of those uber professional lenses), but right now I just have a passion for capturing these moments in history and preserving them for others to watch—particularly those who live outside of Portland and want to experience the magic of what’s going on there right now.

Q14 - What is your verdict on blogs and webzine who don't feature negative reviews. Do you think this is a good thing or a bad thing.

Billy : I don’t necessarily have a problem if they are only reviewing quality releases to begin with (we try to avoid reviewing albums that we aren’t into, period). On the other hand, if your website is dedicated to reviewing all of the latest records (especially those represented by labels), then I think the reviewers do a service to the readership if they give an honest assessment.

Melissa: I definitely put us in that category. My top priority is to be honest in my reviews and never sugar coat things. I don't want to bring any negativity to a band, and no one wants to hear "hey your band blows" so I think it’s best for us to avoid albums that we don't really dig.

Doomed & Stoned in Portland cover art

Q15 – What has been the low and high points during your time on Doomed & Stoned.

Billy: Yeah, there have been some growing pains as we’ve tried to become a more professional operation, but I think we’re all having fun in the process and considering this a big learning experience and once-in-a-lifetime opportunity. So the low points have all been on the way to high points. Ying and yang. Very philosophical of me, eh?

Melissa: I can't really think of a low. I think the high point is now. We just celebrated our first year with the compilation, even got a shout out from Relapse Records. I think my favorite moment ever was hanging out with Eyehategod after I interviewed them. Those guys are CRAZY!

Q16 – We all have a musical history or journey to the bands we love and respect now. What was your musical journey. Which bands got you involved with your love of music.

Melissa: My roots in heavy metal is really Metallica, Slayer and Judas Priest. I really got in Black Sabbath a little later which lead me to classic doom.

Billy: I really wish she wasn’t so long winded. My musical journey was somewhat diverse, in that much of the music I could or could not listen to was controlled in my home. The music I remember leaving impressions on me in the home: Olivia Newton John, 50’s pop, and three records: Beethoven, Mozart, and Tchaikovsky. Outside of the home, my earliest exposure to popular music would be the Ghostbusters soundtrack. Then I remember hearing Cinderella as a 10-year old. Boom, something heavier than normal. I was intrigued. Then a year or two later, Metallica’s “One” on MTV, which was quickly banned from the home, but not before I heard “Welcome to the Jungle” by Guns ‘n’ Roses. OMG that changed everything. I wanted metal and slowly but surely, I delved into the world of the heavy. It would take me well over a decade, though, to discover doom metal and stoner rock (though I recalled hearing the occasional Black Sabbath and Led Zeppelin song on the radio and thought, “That retro stuff was really cool”). I had no idea what was waiting for me just below the surface: High on Fire led to Down led to Saint Vitus (live!) led to DOOM!

Q17 – How do you feel about the other more established websites - Do you feel you’re in direct competition fending for viewers or do you have a healthy respect for them.

Melissa: I respect those guys. I guess a little friendly competition never hurt anyone, but it seems unnecessary to me. We all have the same goal, right?

Billy: Yes, in theory. The further down the gopher hole I’ve travelled the more I’ve come to discover other blogs and then those little furry and alternately ratty looking creatures have come to discover me and either reacted with a spirit of kinship or a bit of that “Hey, what are YOU doing down here?” look. Oh, and then there are those underground hipster palaces that prefer not to admit that we DIYers exist. I love what they do and show up to their party dressed as…a friggin’ smelly goat. I have a beard, and even the glasses, but not the fedora. Damn. Oh well. I prefer to be a misfit, anyway.


Q18 – If you could change anything within the Blogging/Webzine community. What would it be and the reasons why.

Billy: I’d like everyone to know that the heavy underground world is big enough for all of us to share, so there’s no reason to bristle at each other’s presence. I know some people make their living off of this and some don’t, so I can imagine some of the more established and respected bloggers thinking, “Oh no, not another one—what’s this person’s angle?” Hopefully our main angle is promoting the bands and the music so we can all enjoy it more and introduce it to new people. I think that’s an enriching experience for all of us.

Melissa: You know, I’m not sure if I would change anything. There are a lot of different tools available, and the internet has completely revolutionized music and the ability to network. But I'm new to this whole thing, so maybe there is an issue that I haven’t come across yet.

Q19 – Do you feel that the Blogging/Webzine community should be working more closely together, such as the radio stations do – Core Of Destruction Radio and Grip Of Delusion. We could give bands that extra more publicity by putting our talents and resources together.

Melissa: I do. Billy is already doing that with Grip Of Delusion, so I think that’s great. I would like to see more partnerships happening.

Billy: I think it makes sense to realize that the internet is a big, wild space and it’s very easy for most people to miss what we’re doing completely. Finding ways to collaborate, while at the same time preserving our independence and uniqueness just makes sense. There’s already a great spirit of collaboration on Twitter and YouTube, that it’s laughable to me that Facebook pages covering the same metal subgenres should be ignoring each other like they don’t exist.

Q20 – If someone wants to join your team. Who should they contact and what rules do you have in place.

Melissa: Billy. I’m sure he'd talk to me about it, but he's the Boss. In the end, it's his call.

Billy: Drop me a line. Because our Facebook page is a big part of our success, we’d like to keep it running—just like a radio station, with daily programming (e.g. posting new and old doom-sludge-drone metal and stoner-psychedelic rock, accompanied by commentary, news, and short album reviews). Send an email to doomedandstonedofficial@gmail.com and let me know what your program idea is and when you could do it (typically our programs involve posting a variety of content for a 2-4 hour block of time, while occasionally interacting with the readers/listeners).

Q21 – What advice would you give to someone who is thinking about starting their own blog?

BillyGoat: It’s fun, but it’s also tiring, so find a good balance or you’ll stress yourself to the point of not enjoying it anymore. Every so often, I just need to take time away (because covering the doom-stoner scene right has become an everyday thing for us lately).

Melissa: Fake it until you make it. And what I mean by that is people will see what you project. And I've been that, when working with bands for interviews or whatever. So if I go in there confident and project an image, that’s what they'll see. Same thing goes with this. Just dive in, and be confident in yourself.

Q22 – Billy. I always wanted to ask this. Why the name Billy Goate.

Billy: It was a nickname that an Aussie friend gave me and it just stuck, because I have many personality traits in common with goats—I’m stubborn, tenacious, yet gregarious and fun-loving. When I registered the name on Facebook it would NOT, for the life of me, accept “Goat” as a last name. Added the “e” to the end and I was golden. Then the identity really took on a life of its own. People started posting anything and everything goat-related on my timeline. Now when I introduce myself to people I’ve talked to on Facebook, at a show or festival, I’ll say, “Hi, I’m Billy.” And they’ll give me this blank look like, “Should I know you?” I promptly follow with, “You know, Billy Goate.” Suddenly they get a big smile and follow with an “Ohhhh!” and usually a hearty handshake or hug. So, looks like I’m stuck with it.

Q23 – The last thing before you go, do you have anything else to say to your fans.

Melissa: thanks for believing in us and caring about what we do!

Billy: Stay doomed and stoned, everybody!

Well Doomed & Stoned thanks for doing this. Long may your excellent work continue.

Thanks to Billy and Melissa for taking the time out to talk to us here at Sludgelord HQ.

Check out Doomed & Stoned crew from the links below

BandCamp - Awesome Compilation that Billy put together featuring bands from Portland.

Written by Steve Howe

Saturday, 2 August 2014

Doomed & Stoned in Portland - Free Compilation

Doomed & Stoned in Portland cover art

Album Type: Compilation
Date Released: 18th July 2014
Label: Various /BandCamp Download


Doomed & Stoned in Portland – Track listing.

1.A Collective Subconscious - Manchurian Candidate (free) 04:34
2.A Volcano - A Place to Get Sick (Pt 2) (free) 02:54
3.AntikytherA - Altars Before The Unseen (free) 13:43
4.Ape Machine - Angry Man (free) 04:18
5.Axxicorn - Cosmonauts (free) 06:00
6.Big Black Cloud - Ideas (free) 03:15
7.Black Pussy - Ain't Talkin' About Love (free) 05:54
8.Black Snake - Red Eyes (free) 05:20
9.Black Syrup - Redemption (demo) (free) 03:00
10.Blackwitch Pudding - Swamp Gas of the Nevermizer (free) 06:22
11.Boneworm - The Call (free) 13:35
12.Burials - Pitfall (free) 05:07
13.Contempt - Skinwalker (free) 07:49
14.Die Like Gentlemen - Ten Hells (free) 09:10
15.Diesto - The Road (free) 06:48
16.Dinner for Wolves - We Burn (free) 03:52
17.Disemballerina - Black Angel Trumpet (free) 08:14
18.Disenchanter - Sorceries (live) (free) 11:08
19.Doomsower - El Camino Real (free) 09:24
20.Drunk Dad - Whiskey Liver (free) 03:42
21.Eight Bells - Fate and Technology (free) 07:20
22.Elephant Gun - Under (free) 04:29
23.Fellwoods - Wulfram (free) 03:40
24.Gaytheist - Let Him Rest (free) 01:20
25.Graves At Sea - This Place Is Poison (free) 06:36
26.Honduran - Street Eagles (free) 01:51
27.Hot Victory - Labyrinthos (free) 06:03
28.Hundred Eyes - Vulture In A Suit (free) 07:46
29.Hungers - Animist (free) 04:26
30.Lamprey - Harpies (demo) (free) 06:58
31.Lord Dying - In A Frightful State of Gnawed Dismemberment (free) 05:10
32.Mammoth Salmon - In Constant Shadows (free) 03:36
33.Merciful Zeus - Burning Sand (free) 04:28
34.Mothers Whiskey - Scorpion Moon Burn (free) 03:09
35.Mursa - Rise (free) 04:41
36.Muscle and Marrow - Childhood (free) 03:12
37.Norska - Cholera (free) 05:24
38.Nux Vomica - Reeling (free) 11:52
39.Old Kingdom - The Professor (free) 02:51
40.Pandion - Misslelock (free) 04:27
41.Paranaut - Rising Din (free) 10:21
42.Pinkzilla - Planet Caveman (free) 04:35
43.Plebeian - Rat's Nest (free) 01:29
44.Psyrup - Cosmo DNA (free) 10:49
45.RABBITS - Yr in Luck (free) 05:30
46.Red Cloud - Know It (free) 03:25
47.Red Fang - Failure (free) 04:57
48.Right Hand of Doom - Oasis of the White Palm (free) 11:10
49.Satyress - Esta Noche (free) 05:25
50.Shut Your Animal Mouth - Secrets of the Dead (free) 04:18
51.Silence The Father - The Night (free) 09:58
52.Sioux - Faithless (free) 04:39
53.SLOTHS - Breadcrumb Trail (Slint cover) (free) 05:05
54.Sól - Hydra (free) 08:06
55.Sons of Huns - Horror in Clay (free) 03:32
56.Space God Ritual - Madness (free) 04:52
57.Steelhymen - Linda Blair (free) 02:27
58.Stoneburner - Done (free) 07:36
59.The People Electric - Fireball (free) 03:38
60.The Stein Project - Dragon Church (free) 04:01
61.The Thornes - A Shoreleave Slaughter (free) 05:49
62.Toxic Holocaust - Rat Eater (free) 03:42
63.Tsepesch - Black Seas of Infinity (free) 08:37
64.Usnea - Monuments to Avarice (free) 14:22
65.Weresquatch - Voodoo Witch (free) 04:06
66.White Orange - Either - Or (free) 04:58
67.Wizard Rifle - Frazetta (free) 04:58
68.Wölflaut - Precious (free) 05:24
69.Zirakzigil - Durin's Bane (free) 06:31
70.Zmoke - Snowbud (free) 04:45

Info

Our good pals at Doomed & Stoned have just celebrated their first birthday. They are one of the finest Doom/Stoner/Sludge metal zines currently out there. We are honoured to call Doomed & Stoned friends as we share a lot of things in common. Promoting awesome Doom/Sludge/Stoner Metal music to you fine guys and gals.

To celebrate their first birthday, Doomed & Stoned have just released a mammoth free download compilation featuring the very finest bands from Portland. The compilation is called - Doomed & Stoned in Portland. All put together by the infamous BillyGoat – the main head-honcho at Doomed & Stoned.

I will let BillyGoat tell you all about this amazing compilation.

In celebration of the one year anniversary of Doomed & Stoned (www.doomedandstoned.com), we present to you a collection of bands that have wrapped their tentacles around the Portland underground metal scene and are hungry to scale new mountains.

Portland, Oregon is known for many things--it's the "Rose City," clustered around the mighty Willamette River and nearby Mt. Hood, the home of Nike and the Trail Blazers, even a major network television show called Portlandia. But to the hard working locals, Portland is home two the two big things that really matter: brews and bad-ass rock 'n' roll. Doomed & Stoned in Portland is a snapshot of the heavy music scene right now in Portland--from the ever-popular Red Fang, Lord Dying, and Toxic Holocaust, to rising stars such as Sons of Huns, Ape Machine, and Drunk Dad. Most of all, here is a collection of bands with a strong DIY ethic--everything from experimental metal to a distinct brand of Northwest punk to ultra-heavy metal doom giants Graves at Sea, Usnea, and Stoneburner. Not to mention the bands that just like to "Keep Portland Weird" (Blackwitch Pudding, Pinkzilla, Big Black Cloud, Steelhymen, and Zirakzigil). Over 65 bands waiting for you to lend them your ears--and a free download, to boot. You may just discover your next favorite bands.”

So headover there now and download this damn fine free compilation now. Yeah that's right folks. It's free. 70 tracks for you to rock out to. Grab a beer, light up a bong and chill out with Portland's finest bands. Fuck Yeah!!!!

Check Doomed & Stoned From Links below.


Written by Steve Howe