Showing posts with label Sons Of Alpha Centauri. Show all posts
Showing posts with label Sons Of Alpha Centauri. Show all posts

Monday, 10 October 2016

ALBUM REVIEW: Yawning Man - “Historical Graffiti”

By: Victor Van Ommen

Album Type: Full Length
Date Released: 18/08/2016
Label: Lay Bare Recordings


“Historical Graffiti” is a drug that calms the soul of the listener”

“Historical Graffiti” DD//LP track listing:

1). The Wind Cries Edalyn
2). Her Phantom Finger of Copenhagen
3). Naomi Crayola
4). The Secret Language of Elephants
5). Historical Graffiti
The Review:

This new Yawning Man album, “Historical Graffiti,” has been a long time coming. The last we heard from Gary Arce (Guitar), Mario Lalli (Bass), and Bill Stinson (drums) was in 2010, when they released “Nomadic Pursuits.” That album continued the story that “Vista Point” and “Rock Formations” before it told; life out in the Southern Californian desert is trippy. This happens to be a story we don’t mind hearing time and time again.

Historical Graffiti” is in many ways a continuation to this story instead of a re-telling of it. That is to say that this album isn’t what we have come to expect from Yawning Man. Yes, the songs are still instrumental, orbiting around Arce’s fluid guitar creations by way of steady drumming and lush bass lines, but there’s more to the band this time. These five songs are excerpts from jams that Yawning Man did one late night in Buenos Aires with Sara Ryan, Adolfo Trepiana, and Malene Arce on the violin, bandaneon, and keyboard respectively.

At the album’s core, “Historical Graffiti” is still a Yawning Man album. But it’s the inclusion of these extra musicians – and instruments – that make the band sound freer than ever before. The songs are presumably based on free form jams and according the liner notes, all of the songs were recorded in one night, in one go.

The lazy drum and bass lead-in to the album’s opening track “The Wind Cries Edalyn” immediately sets the tone. Things will be low key this time around. The percussion won’t be hit too hard and the general tempo in the songs will be kept to that of a sunny Sunday afternoon by the swimming pool. Arce, Lalli, and Stinson lead the proceedings, all the while offering Ryan, Trepiana, and Malene plenty of room to dive in swim through the airwaves.

Space is given to each other and space is taken, and there’s not a single moment in which one of these band members feels overlooked. These are jams done by musicians who play with and into each other, feeding off of a desire to get acquainted on a musical level. The dreamy sway of each individual track is proof that these six musicians took their time and enjoyed identifying with each other on this level. After all, this collaboration might a one-off, so why rush things?

Each song is comfortable, like hanging in a tire swing and feeling the cool breeze to blow through your hair. Troubles are forgotten while these songs fade in and out of the jams they came from, calming the heart rate and allowing the mind to drift. There isn’t one song on here that feels rushed. Even in “Naomi Krayoli,” when the album’s groove gets kicked up a notch, there is no push and no finish line, just exploration of the mind and soul using music as a vessel to do so.

The addition of extra instruments wasn’t a necessary step for Yawning Man to take but the results of them taking it are sublime. By expanding their set up, Yawning Man has made an album brimming with spiritual jams that go a long way in helping the listener expand their mind. All of these extra elements and how they have been put to use add depth to the melodies, resulting in a drug that calms the soul of the listener.

“Historical Graffiti” is available here

Band info: facebook || bandcamp

FFO: Fatson Jetson, Desert Sessions, Ten East, Sons of Alpha Centauri

Thursday, 7 August 2014

Interview with Sons Of Alpha Centauri


Today's guests have been going as a band since 2001. They have released only one album under their own name back in 2007. But they have released split albums with Yawning Man and Treasure Cat. They have also released split singles with legendary Stoner Rock outfit – Karma To Burn.

I have been a fan of this superb Dark Rock collective for a long time now. I have featured them a couple of times on the blog over the last 6 months or so. 


So I have been given the chance to interview one of the UK's finest and most creative Instrumental Rock bands – Sons of Alpha Centauri.

Q1 – Hi guys. Thanks for doing this. How are things with you all today.

Marlon – Yeah, things are good with us thanks, we’ve just been appreciating the best UK weather since 2010.

Q2 – Can you tell our readers a brief history on how the band started and where it is today.

Nick - Ok... So yeah we formed in 2001 and wrote 35 songs before compiling a 12 track debut. The debut wasn't necessarily the best 12 tracks of the 35 but represented the spectrum of music we were playing. From there we went onto collaborate with different artists and then went on to pursue a series of vinyl single releases. Now.. we feel that we're ready to start the second album.


Q3 – So. How would you describe your sound. As you truly have a strange and wonderful sound that you don't come across that often.

Nick - Thank you! Our love of electronic and ambient music has had a input into the band and I guess none of us really listen to any bands that are 'new' particularly. When we started rather than tie ourselves to a specific genre and grow from there we played lots of different styles and built on each one. Eventually with the aid of electronica and orchestration we have started to meld them together. We want to express a darker and more sinister edge.

Q4 – How did you all become involved with music.

Nick - Well for me it was a case that I didn't want to play football at lunchtimes anymore so I started hanging out in the music rooms and learning from watching people play. Eventually, I managed to get a few of us together enough to start playing and writing music. I formed my first band with guys in my music class and anyone else we could scramble together that could play an instrument.

Q5 – Why the name Sons of Alpha Centauri. Any specific meaning behind it.

Nick - we don't want to be part of a scene or a crowd. Don't get me wrong, we're nice enough but ultimately we feel a greater purity away from others and want to standalone artistically. The name is about us being separate and originating from somewhere else.

7" split w/ "Karma to Burn" cover art

Q6 – You have been going since 2001. It's hard to believe that not a lot of people know about your band and music. Is that something you're proud of. Or something you want to change.

Marlon – Don’t get us wrong, we haven’t deliberately avoided fame and fortune; it’s just been given a lower priority than most bands would probably give. We are heavily focused on our song writing and the band is heavily theme based. A lot of the time we can find ourselves going off on a tangent, and sometimes it can be a good few months before we reel it back in. But it doesn’t faze us, as long as we are enjoying the music, we will continue to write/release our tracks and eventually, more people will get to hear it.

Q7 – You released your debut album back in 2007 which I am a huge admirer of. But since then you have only released split albums and singles with other bands. Will there be a new Sons Of Alpha Centauri record anytime soon.

Marlon – I can tell you there is definitely a second album on the horizon, which horizon though is a another story. We have already written nearly 30 new tracks towards this second album and so far we are really happy with the results. We are aware it’s been a while since the debut and have appreciated all the positive feedback from it. All I can say is hang-in there guys, not too much longer now.

Q8 – Let's talk about your collaborations with other bands such as Yawning Man, Karma To Burn and Treasure Cat. How did they all come about.

Nick - when the debut came out in 2007 rather then jumping straight into a second album and the promo mill we thought that a different approach in order to learn and grow as musicians would be to collaborate with established artists. The collaborations we hoped would enlighten and grow us as band to enhance the second album beyond the experience that just starting a second album would do. I had been doing a lot of work with Karma to Burn in the mid 2000s by sending over their bootleg tapes so working with Will (Mecum) was the obvious first choice.


Q9 – My personal fave collaboration you participated with was Treasure Cat on Last Day Of Summer which I reviewed recently. That is such a fantastic sounding album though very dark at the same time. What was the original intention behind that record.

Nick - Yeah, that was the first of the collaborations. For me, getting into the studio with Will was a bold step for SOAC as a band. He was someone who held a lot of influence for me as a musician in terms of terms of riffs and hooks so to try and meld the two styles together and get the record that we got was a rewarding experience. Also, you know he had come from that 90s American Roadrunner scene which was a long way from where we were (or are) so I think we learnt more from that record than anything up until that point as a band. And of course, that record was more than just a simple start and finish project - it was the start of something much bigger between the participating artists.

Q10 – Plus you recently released a split single with Karma To Burn. Was that an easy decision to make to work with Karma To Burn.

Nick: Totally! Karma to Burn both as a rock and as an instrumental band were influential on early SOAC and after the Treasure Cat split then the Karma to Burn collaborations and split singles just all fell into place and felt natural. The two bands complement one another now and we've toured, released singles and it's more of a partnership now. I just wrote the biography and one sheet for the new KTB album 'Arch Stanton'! I think that we'll complete a trilogy of the Karma to Burn / Sons of Alpha Centauri 7" split releases and see what happens from there. That said, we don't intend for there to be any new collabs until the second album comes out.

21 April 2014 the 'Karma to Burn / Sons of Alpha Centauri' split 7" release

Q11 – What is the song-writing process in the band. Is it down to one individual or is it a group collective.

Marlon – The song writing process with SOAC tends to vary considerably. A lot of the original tracks from the debut with their intricate guitar passages were written solely on guitars by Nick and me with no backing. However equally we will have complete band writing sessions where we jam out a riff and develop it as a band. Some of the darker tracks will start off by Andy writing an ambient passage which as a band we then develop the track around.

Q12 – How big of a help has BandCamp and the Hard Rock community been in promoting your music.

Nick - It's been handy sure. I see a lot of those websites though as a bit trendy and after Myspace imploded I haven't really spent much time investing in any third party websites outside of our own really. I still really just like bands own websites - they have a lot more identity and character to them.

Q13 – What is your verdict on the current state of the UK Hard Rock Scene. Do you see yourselves apart from that scene. Or is it something you haven't really noticed.

Nick - As far as I can tell it seems pretty good with lots of UK bands touring and playing together. We don't see ourselves part of the UK hard rock scene though. We've never really 'hung out' with other UK bands or toured with them and as we're in the middle of Sheppey we're pretty isolated but those who we do know seems like good people I guess. But that works for us.


Q14 – Do you perform many gigs in your home-town or do you have to travel further field to perform on a regular basis.

Nick - The first few years we didn't play, then after that for five years or so we just stuck to the occasional show locally just to find out feet and get the sound down. Since then the past 5 years have mostly been London on a irregular basis and usually when the guys that we've collaborated with are playing so that we can make it more of an event. I think that in total we've probably done less than 20 shows in 14 years, maybe less...

Q15 – What is your musical set-up when playing live or recording your music. Any hints and tips would you like to give to the budding musicians out there.

Marlon – I love the sound of Marshall amps, so my personal preference is always to use them. I had one of the newer HDFX models originally which was great for when we were playing local shows, I now use a JCM800. Our Bass sounds go through Fenders, namely an old school 70s bassman. That said, you don’t always need retro equipment to get a decent sound or the sound you want. We use them as it gives us more flexibility recording wise.


Q16 – What is your verdict on the whole crowd-funding scene. Where bands ask fans to fund their next album. Are you a fan of that platform. Would yourselves ever go down this route.

Marlon – The music industry is changing and adapting with the times, I think the crowd funding scene reflects exactly where the future of music is heading. The latest generation believe that music should be free, which is a nice concept, however the unfortunate reality is that it costs a lot of time and money to make. Crowd-funding is one way of showing there is a demand for music which otherwise is unable to be made due to a lack of funds.

Q17 – If you could give any advice to someone wanting to start a band. What would it be.

Nick - don't change members unless you really have to and stay friends.

Marlon – Sounds very simple but; finding like-minded people so the sound you are going for doesn’t get thrown around and split between members… it can be difficult enough to find musicians these days but don’t compromise the band if the goals aren’t the same. Remember that band rehearsal isn’t your own instrument practise; you need to always work on your own technique and have ideas to bring to the band. Rehearsals will always have their own challenges and not being able to play something shouldn’t be one of them.

Q18 – So what exciting projects do you have in store in the future. Anything you can share with us here.

Marlon – We always have a number of tracks being turned around and several projects that come along with that. The last few years we have been very focused on our vinyl releases however at the moment we are focusing on the second album and hope 2015 is the year. Couldn’t possibly tell you what other secrets we have up our sleeves at the moment though, you’ll have to wait and see.

Q19 – The last thing before you go, Do you have anything else to say to your fans.

Nick - Thank you to everyone who has taken an interest in the band and continues to support us and being patient. We appreciate that we've been around 14 years and are just about to start the second album - please keep the faith and for us all, this is still just the beginning!

Karma to Burn & Sons of Alpha Centauri play the Camden Underworld on the 30th August for the sole SOAC show of the year. The night will feature the exclusive release of the clear version of the split 'Sons of Alpha Centauri / Karma to Burn' 7" split available for one night only!

Well guys. Thanks for doing this. Really appreciate this. Hope SOAC make as music for many years to come.

Check The Band From Links Below


Written by Steve Howe

Sunday, 8 June 2014

Last Day of Summer by Sons of Alpha Centauri & Treasure Cat

Last Day of Summer cover art

Album Type: Album
Date Released: 21st September 2009
Label: Underdogma Records

Last Day of Summer by Sons of Alpha Centauri & Treasure Cat- track listing:

1.Alpha Cat - The Flying Dutchman 03:10
2.Treasure Cat - Battle of Britain 04:09
3.Sons of Alpha Centauri - Tribute to Harmonious 06:08
4.Treasure Cat - Valhalla 04:17
5.Alpha Cat - Last Day of Summer 05:02
6.Sons of Alpha Centauri - Under Surveillance 05:17
7.Treasure Cat - Dresden 04:18
8.Alpha Cat - Fire 04:24
9.Sons of Alpha Centauri - Crossing the Border 06:59
10.Treasure Cat - On a Clear Day 04:55
11.Sons of Alpha Centauri - Exhaust 05:17

Treasure Cat - Band Members

Will Mecum - Guitars
Matt Cross – Bass
Roy Brewer – Percussion

Sons Of Alpha Centauri - Band Members

Marlon King -Guitars
Nick Hannon – Bass
Stevie. B – Drums
Blake – Textures

Alpha Cat – Band Members

Marlon King – Guitars
Will Mecum – Guitars
Nick Hannon – Bass
Steveie B – Drums
Rory Brewer - Drums

Review:

Why am I featuring an album from 2009. It's not part of Aaron's excellent series of classic albums – Choice Cuts. I am featuring the excellent album – Last Day Of Summer from Sons Of Alpha Centauri and Treasure Cat. Both bands have a rich history of working together. Mainly through Will Mecum of Treasure Cat and Karma To Burn fame. Sons Of Alpha Centauri and Karma To Burn have just released another stunning 7 inch single which we featured here recently.

Will with Treasure Cat and Sons Of Alpha Centauri collobrated more in-depth with the superb album – Last Day of Summer. A sprawling instrumental Stoner Rock odyssey packed with blazing riffs from two bands at the top of their game.

The album has 4 tracks each from both Treasure Cat and Sons Of Alpha Centauri. And then 3 tracks from Alpha Cat. Which has both bands joining forces in playing their mixture of sci-fi based Instrumental Stoner Rock which packs a lot of great riffs to lose yourself in. Treasure Cat's music is more straight forward Stoner Rock to boogie on down to while Sons Of Alpha Centauri offer a more cosmic space rock vibe to take you amongst the stars.

Though when these two bands join forces under the guise of Alpha Cat is where the real magic happens especially with the superb title track – Last Day Of Summer. As it sees the band bring their own style of instrumental rock for one gigantic party of awesome riffs to impress you with.

This album was sadly overlooked back in 2009 but I feel it's one of 2009's best Instrumental Rock albums. I originally heard this a few years ago and thought it was a great album back then. Now 3 years later and I still think it's a highly original album from two excellent bands you should all be checking out.

If you haven't heard of Sons of Alpha Centauri or Treasure Cat then is the perfect place to start.

Excellent and Highly Recommended.

Check The Sons Of Alpha Centauri From Links Below


Check Treasure Cat From Links Below


You can buy Last Day of Summer from Sons Of Alpha Centauri BandCamp Page on CD and DD.

Written by Steve Howe

Monday, 19 May 2014

Karma to Burn / Sons of Alpha Centauri – Split 7inch Single - Review



Album Type: Split 7inch Single
Date Released: April 21st 2014
Label: H42 Records

Karma to Burn / Sons of Alpha Centauri – Split 7inch Single - track listing:

01. Karma To Burn - 53
02. Sons of Alpha Centauri - 71

Record Description

H42 Records is very proud to announce the return of two instrumental titans and their ongoing partnership to reinvigorate the hard rock world without words! On 21 April 2014 the 'Karma to Burn / Sons of Alpha Centauri' split 7" enters the stratosphere in the form of a three different coloured vinyls and two brand new tracks 'Fifty Three' and '71' mastered at Abbey Road Studios!

This is the second 7" featuring both bands and follows up the immense popularity of the first vinyl and captures the raw energy and driving rock fury of both bands yet again. This release will only be available on vinyl with limited pre-orders available exclusively through H42 Records.

For more information please visit: www.h42records.com/press and the official video trailer at http://youtu.be/oofRLl11LVk

Three different vinyl versions are available as blue/white marbled, orange/black marbled & black heavy release in deluxe design sleeves from ‘Alexander Von Wieding’. The vinyl will also be available on the forthcoming summer European Tour - check back for dates!

Karma To Burn – Band Members

Will Mecum
Rob Halkett
Evan Devine

Sons Of Alpha Centauri – Band Members

MARLON AARON KING – GUITARS
NICK HANNON - BASS
BLAKE - TEXTURES

Review:

So two of the genres finest Instrumental Stoner Rock Bands have joined forces once more to deliver a pulsating 7inch Single Release which showcases both bands at their very best.

Karma To Burn's track – 53 – is more of the same from possibly the finest Instrumental Stoner Rock band on the planet. Karma To Burn are masters of writing tracks like this. Intense Desert Rock and Stoner Metal riffs combining for one a fast-paced ride that will soon get you into the mood of rocking out. This track shows you why the band are considered innovators of the Instrumental Stoner Rock scene. Not many bands can match their ingenuity and vision in such a short space of time. This track is classic Karma To Burn through and through. Why mess with perfection.

Sons of Alpha Centauri – provide the world with another stunning track that shows you why they are considered one of the UK's finest Instrumental Stoner Rock bands. They play the same sort of music as Karma To Burn but with a more darker and progressive edge. The band add a sinister space rock vibe around the 3rd minute or so which feels like a trippy distress signal from the far reaches of the universe. I will have to say that this track is possibly the best track on this release. Even though Karma To Burn are one of my fave ever Stoner Rock bands. Sons Of Alpha Centauri unleash some epic spacey riffs that will have you begging for more. I hope the band will release their eagerly awaited 2nd album as they are seriously a brilliant and elusive band you all need to check out now.

Excellent and Highly Recommended.

Thanks to Sons Of Alpha Centauri for sending me a brilliant physical package to review. And for H42 Records for sending me a digital promo to review as well.

Check The Band From Links Below

Karma To Burn Links


Sons Of Alpha Centauri Links

Official
Facebook


Written by Steve Howe