Showing posts with label Iron Witch. Show all posts
Showing posts with label Iron Witch. Show all posts

Monday, 19 September 2016

ALBUM REVIEW: Iron Witch - "A Harrowed Dawn"

By: Chris Bull
 
Album Type: Full Length
Date Released: 22/07/2016
Label: Secret Law Records



 
‘A Harrowed Ground’ is packed with vehemence and anger bubbling under the filthy surface and threatens to go berserk if pushed...Thankfully we don't get our heads smashed in, rather we get a warning that should we push any further, we'll be whacked about the head with the fat end of a pool cue.  It's this menace, like the stare of a crazed junkie on a comedown, that's made Iron Witch one of the stand out sludge acts in the UK and with Chris Fielding behind the desk, the edges are polished but no less piercing and deadly, he has captured the essence of a band at their crushing best. Iron Witch are carrying the torch for British Sludge and are glowing in the light it provides.

 

 
‘A Harrowed Ground’ CD//DD//LP track listing:

 
1). Beauty and Rot
2). Salvation Through Nothing
3). Machinery of Violence
4). Under the Pyre
5). Belly Full of Rats
6). Solitude and Decay

 
The Review:

 
When a band are able to make a sizeable name for themselves before releasing a full album, you know there's something special going on! Iron Witch are such a band; their collection of splits, EPs and singles thus far have been very well received by anyone and everyone who has listened and many a stage has been obliterated by their live performances. Now with a modified line up and debut full length 'A Harrowed Dawn', Iron Witch demonstrates that they're not fucking about.

 
'Beauty and Rot' sets a moody tone with the use of clean guitars and slow motion riffage to kick things off. It's packed with much vehemence and anger bubbling under the filthy surface and threatens to go berserk if pushed...Thankfully we don't get our heads smashed in, rather we get a warning that should we push any further, we'll be whacked about the head with the fat end of a pool cue, or so the brooding menace of 'Salvation Through Nothing' leads me to believe.  It's this menace, like the stare of a crazed junkie on a comedown, that's made Iron Witch one of the stand out sludge acts in the UK, the thought that at any point, they could snap and embark on a frenzied attack is always in the back of your mind.

'Machinery Of Violence' begins with some downtrodden melancholy and then gives nods towards Eyehategod, a reference the band would have no qualms about, as the filthy grooves and paranoid wails emerge from the bleak fog. 'Under The Pyre' and 'Belly Full Of Rats' further perpetuate the Eyehategod references; the former in it's slow building, rabid delivery and the latter in it's pulsating swing...and that opening riff, man that's a tasty slice! 'Belly...' has the distinction of being my personal favourite on this album, a difficult feat considering the quality of the songs throughout. It's got the kind of nasty groove that makes me grimace and nod my head in public...and I already look like a weirdo.

 
Last up is 'Solitude and Decay', a moody number, calculated and caustic in equal measure, the despair in the melody of the opening riff will make 90's kids question their misspent youth...then that rage that has been held back throughout the album is finally unleashed and justified in it's aggressive furore which then descends into regret, mourning and alcoholic shame.

 
Once again, with Chris Fielding behind the desk, the edges are polished but no less piercing and deadly. He's managed to produce some of the highlights of 2016 and here, captures the essence of a band at their crushing best. Iron Witch are carrying the torch for British Sludge and are glowing in the light it provides.



‘A Harrowed Dawn’ is available here

 
Band info: facebook || bandcamp

 
RIYL: Eyehategod, Moloch, Siege Mentality, Crypt Lurker

Saturday, 5 March 2016

“Big Riffs, Heavy Tones” - NOIZ All-Dayer Preview April 2nd 2016 @ Rebellion, Manchester, UK

By: Phil Weller

In Manchester, UK you will struggle to find a bigger champion of big riffs and heavy tones, of tidal sludge and dead-mongering doom as NOIZ promotion’s founder Eytan. And on April 2nd NOIZ Promotions takeover Rebellion to do just that; a venue that both physically and metaphorically stands up against the bullshit of the mainstream to wrap low down and dirty music under its ever-expanding wings. Situated on Deansgate, it stares across the road at a fleet of trendy cocktail bars, where egos, tracksuit bottoms, Nike Airs, fake tans and plastic drumbeats have full sway. It snarls at those places; a warm and welcome abode for the ‘outsiders’ who like their music a little more abrasive, a little less fabricated.
The bill is littered with names lauded frivolously on the hallowed pages of The Sludgelord – (Admiral Sir Cloudesley Shovell, Steak, Witchsorrow, Boss Keloid and more) – just looking at the poster is enough for any self-respecting Sludgelordian to pitch a gazebo in their trousers. 
Eytan’s battle plan then, is a simple one: “I enjoy putting bands on that don't come to the city often and putting my favourite local bands with them. I started NOIZ just under a year ago and hosted a few different kinds of event. So far booked around 50 bands.”
The inclusion of the rough, raw and ready old school rock n’ roll of the Admiral Sir Cloudesley Shovell, is the cherry on the top for him, he reveals: “I've managed to miss them each and every time I've wanted/attempted to see them, so as per with NOIZ, it was a selfish booking and one that I knew would enhance the lineup I was fleshing out. I think they'll bring a definite close to the event, no doubt it'll be messy down at the front and I think their raw vibe will be a perfect finale.
With the festival pulling in some shiny names from across the country, with Eytan saying desert rock fans would “be foolish to miss Steak”, it creates a foundation to flaunt the local talent: “All I can say about the locals is that you should go check them out right now, and a shout out to all of my mates who make up those bands.”
But who are those local acts?
Boss Keloid
Keloid are extremely difficult to define. At some points there's a meditative Om/Tool kind of quality, and then it goes... BROWN. The vocal performance on the new record is probably my joint-first favourite of any record I know from this area.”
Says Keloid bassist/brown bringer Adam Swarbrick: “It'll be our first show in quite a while, or at least what seems quite a while. It's been a very busy time for us, and we've had a few things to deal with in the time since our last show. So you can imagine, we're extremely hungry to launch a full scale herbal assault at NOIZ. I'm confident in speaking for all of us when I say we absolutely live for the live show. So having had more time away from the stage than we'd ideally have liked, NOIZ is a big event for us.”
Barbarian Hermit
“T'Hermit are an outstanding band that just seems to improve with every performance. I had them on at the MMC Weekender a month ago and they were many people's band of the weekend.”
PIST
PIST probably need no introduction from your readership. A warning would be polite if they do. In short, PIST don't party, they are party. Sonically, that is exactly what you get, but don't mistake that for 'silly', or 'novelty' - they are a pure, balls-to-wall metal band with a stoned groove and a drunken swagger.”
A band that usually top bills of this nature, this time around they’ll be treating us to a bright and early set, helping opening the event: “They do usually top the bills at larger events at Rebellion, they headlined the MMC Weekender to a packed house and it went crazy in there with stage diving and crowd-surfing. They're on early simply because they were added late on, but it does give me a very strong (and contrasting) opening pair.”
Almost definitely in the depths of some whirling drug binge, Admiral Sir Cloudesley Shovell sticksman Johnny Gorillar adds: “The Shovell love playin’ Manc; lovely people, good pubs and great audiences. Always a chore, never a pleasure - hold on - scratch that and reverse it!” A band who live and breath what rock n’ roll used to be – and refuse to accept and act like owt has changed, such is their charm – he continues: “we're going onto the studio the week before this gig, there's a few new 'uns in the set already, and at Roadburn we'll be previewing most if not ALL the new LP live. That way punters can record it and that will save Rise Above having to actually release the furker!” 
And with that, we anxiously cross the passing days of on our calendars and continue to prepare our livers for a heavy one and say our final goodbyes to our dignity. This event highlights the natural evolution of a promotions company with bigger plans yet still peaking over the horizon, as Eytan flirts with hints during our conversation.
“No doubt it's bigger [than previous NOIZ events], just look at the line-up! Also, we've had a great run of successful events in a short time, with mostly the same crew doing each event, a familiarity of sorts is setting in, and in a place with such a healthy and active community. That translates into word spreading like wildfire,” he explains.
“Like I said, I've so far booked around 50 bands as NOIZ and have three bands on the bookings roster: Boss Keloid, Dukatalon (UK only) and one TBA very soon. Also look out for the new label out of NOIZ Towers coming this year!
“Shout out to all the bands who are playing, all the bands who have played, all our crew, the supporters, everyone at Rebellion and Adam Swarbrick/Swarbuckle/SwarBROWN of Boss Keloid, and organiser of Riff Fest - look out for a VERY exciting NOIZ/Riff Fest collaboration early summer!”

Info:  facebook

Sunday, 16 February 2014

Iron Witch & The Atrocity Exhibit 7"

Iron Witch & The Atrocity Exhibit 7" cover art

Album Type:7”
Date Released: Oct 31st 2013
Label: Witch Hunter Records

Iron Witch & The Atrocity Exhibit 7" - track listing:

Iron Witch - Her Cheating Heart 6:42
The Atrocity Exhibit - Throne Of Bile 6:02

Iron Witch Band Members

Dan Fane - Guitar
Will Adams - Drums
Sam Rushton - Guitar
Chris Fane - Vocals
Rick Owen- Bass

The Atrocity Exhibit Band Members

James Caygill - Vocals/Guitar
Fuzzy Dave - Bass/Vocals
Matt Downes - Drums

Review:

Now I am going to let the press bio from Witch Hunter Records/Dead Chemist Records do all of the talking of this excellent and brutally heavy split 7” single as it will tell you all you need to know about two of the UK's loudest and heaviest bands you all need to check out now.

Iron Witch, the reigning kings of UK sludge, team up with the magnificently bearded grindcore/sludge berserkers The Atrocity Exhibit for this 7" split of pure audio carnage. 1 track each, both 6 minutes long, both designed to make your brain leak out through your nostrils such is the sheer force of the music contained within these grooves. The Atrocity Exhibit swerve the use of blistering speed sometimes shown in their past work and instead spit out the snail-paced 'Throne Of Bile', a masterclass in tension-filled suffering; a track rippling with a violent, unpredictable swagger that's constantly threatening to explode in your face. Iron Witch offer no respite, with 'Her Cheating Heart' being perhaps their best song yet; a track of such colossal heaviness and down-tuned, down-beat, forceful depression that's it's like having your face forced down into the muck that lines the banks of the Mersey. With both bands on such rampantly aggressive form, this is without a doubt the ugliest 7" to crawl its way out of the UK this year.

Iron Witch track was recorded by Bri and Devo Doom at the 1in12 Studio, Bradford, in September 2013

The Atrocity Exhibit track was recorded, mixed and mastered by Ian Boult at Stuck On A Name Studios, Nottingham, in July 2012

A joint release between Dead Chemists and Witch Hunter Records, this split 7" is limited to 500 copies, on none more black vinyl, and comes with a 4 panel gatefold sleeve, with artwork & layout by James Caygill

This 7” release is loud, brutal and heavy from the word go and it shows two amazing bands at the top of their game. Two 6 minute epic songs packed full of epic violent riffs if you like your music that little bit dangerous. Iron Witch and The Atrocity Exhibit lay their souls on the line here and it makes for deeply uncomfortable listening.

So do yourself a favour and listen to this brutal record at full blast and witness British Underground Sludge Metal/Grindore Metal at it's finest.

Another brilliant release from Witch Hunter Records which you buy on Vinyl now or Buy Now Download if you want to check out before you buy. Check out the other excellent releases from Witch Hunter Records. Loads of great stuff to buy and even a few free downloads to check out as well.

Witch Hunter Records Links:


Dead Chemist Records Links


Iron Witch Links


The Atrocity Exhibit Links


Written by Steve Howe


Sunday, 20 January 2013

Iron Witch - "Hangover Suicide" 7inch (Review)

By: Hobo Sapien

Album Type: 7inch
Date Released: 18/2/2013
Label: Endtyme Records
 



“Hangover Suicide” develops into a drawn out, sludge-tastic dirge. The vocals create a sense of wretched misery and anguish, nicely accented by the doomy riffs thrown at you by the band. Simple, powerful, bluesy and boozy.  Highly recommended for fans of Eyehategod, Iron Monkey, Black Flag, Melvins and anyone having a bad day.

“Hangover Suicide 7inch//DD track listing

A) Death Was the Colour (4:35)
B) Hangover Suicide (5:39)

The Review

“Death Was the Colour” slides in with the dissonant feedback we all love before launching in with a  grimy swaggering blues riff. Before you know what’s hit you, your head is already nodding along, fists clenched and ready for action. Everyone is on form here. The guitars are cutting whilst still being hazy, the bass and drums drive forward and the vocals spit like acid through the mix. Halfway in the band filters back into feedback. The bass lurks in with Dopesmoker-esque rumbling. If Sleep took us on a weed trip across the Holy Land, Iron Witch are the AK-47 armed guerrilla force poised to ambush us behind a wall of feedback.

“Hangover Suicide” is definitely cut from the same cloth as Side A.  It begins with a riff that grabs you by the arm and throws you fist first into the chaos you’re hearing. “Hangover Suicide” develops into a drawn out, sludge-tastic dirge. The vocals create a sense of wretched misery and anguish, nicely accented by the doomy riffs thrown at you by the band. Simple, powerful, bluesy and boozy side B winds down leaving you wishing it wasn’t just a 7inch.

With two enjoyable tracks, this is another outstanding release from Iron Witch, 2013 is off to a flying start. Highly recommended for fans of Eyehategod, Iron Monkey, Black Flag, Melvins and anyone having a bad day.

“Hangover Sucide” is available here



Band info: Bandcamp | Facebook | Twitter