Album Type: Split
12”
Date Released: 21/2/2015
Label: STB
Records
Le’ Betre / King
Buffalo Split 12” Vinyl track listing:
A1).
Le’ Betre – Gowns & Crowns
A2).
Le’ Betre – Snake Eyes
A3).
Le’ Betre – By The Great White Lights
A4).
Le’ Betre – Jesper Eriksson
A5).
Le’ Betre – Mother
B1).
King Buffalo – New Times
B2).
King Buffalo – Like A Cadillac
B3).
King Buffalo – Providence Eye
Review:
Just
goes to show, a little research goes a long way to ensure you don’t come
across as a dumbass when presenting information to your audience. Case in point with Le’ Betre, who for some reason
I thought they were French, perhaps due in no small part to their name. I mean it sounds French, right? I guess you shouldn’t judge a book by its cover
and unsurprisingly after a few clicks I establish the origin of Betre is fact
Norwegian, meaning ‘better’ and most importantly in reference to Le’ Betre
themselves, the research indicated that they
are in fact from Leksand, a small village in Sweden, born back in
2011.
Has
STB Records gone all death metal on us I hear you cry, answer, a resounding no
and most importantly their blues influenced rock, couldn’t be further removed from the
Gothenburg melodic death scene. The
band’s addition to the STB roster is a further example of the labels reluctance
to pigeonhole themselves and being rigid in terms of the music they release. You
can compare STB Records to your favourite chocolates if you will, you know what
they offer appeals to your favourite tastes and yet, you are able to sample
other sensations in the box, knowing that the experience in terms of music will
be different but is made with the same quality, perhaps making you more
inclined to sample it knowing that the brand has never let you down
before.
Anyway,
let’s get down to business and the reason you’re probably reading this review,
to gauge a sense of what these bands have offer to your ears as well as your eyes. Hopefully giving greater credence or
justification to part with a minimum amount of dollars, pounds or whatever it
may be, knowing that the music will match the quality of the wax. It’s an investment anyway right? Think of it as your kid’s inheritance.
Like
me, a number of you will be buying this up regardless, but it is only fair to
offer a studious written assessment of what you can expect to receive and hear.
The ‘Not So Standard Edition’ of 130
pieces (405 pieces total and 4 separate editions) in terms of sound, is
mastered specifically for vinyl, ensuring that the greater warmth that everyone
raves about it is heard through your headphones. I mean, through a $500 set of earphones, most
things are going to sound amazing, but make no mistake the sound quality of the
record is superb throughout, certainly the recordings have the flavour of
analogue rather than a pitch perfect pro tools recording. The ‘Not So Standard’ is mix of orange, grey
and white, a floorless match in terms of the colourings, with the orange of the
vinyl as close to the artwork as you can get, indeed Thieves Of Tower have done
an awesome job with the exclusive artwork, which wouldn’t feel out of place
hanging on your wall, as a feature piece.
What we have got then with this vinyl version is what the title suggests
a ‘not so standard’ standard version of this split 12”. Make no mistake, if it is this version you
end up with, it is some ways the best of bunch, given the amazing colours,
indeed it is another unique piece of vinyl.
Let’s
get down to the band’s then and despite a relatively short period of time elapsing
since their inception, Le’ Betre have notched up two EPs (A Bat And A Unicorn
2011 & Gentlemens Club Cabin 2012) before recording their debut album ‘Melas’
in late February 2014, releasing it on
vinyl through their own Gramophone label.
Here in terms of this split, Le’ Betre offer up 5 tunes, not original
tracks exclusive to this release but
tracks culled from their releases to date, with opener ‘Gowns & Crowns’ and
‘Snake Eyes’ lifted from their ‘Melas’ full length. You could call their contribution to this
split a succinct and early anthology of their work to date.
‘Gowns
and Towns’ kicks things off side A with a chugging clean guitar, starting like
a slow steam engine until the momentum of the guitar takes hold, the guitar and
bass then seem to hold at pace and this refrain from the guitar is echoed
throughout the opening gambit of the track, when after 10 secs the drums come
and you’re met with what sounds like a super fuzz guitar effect circa Edwin
Collins, complete with whammy abuse, either that or some equivalent effect
laden electric piano. Throughout the
track this sounds remarkably good, coming in at different intervals to
accentuate the track. What this sound
inextricably exhibits is a degree of funk to this track specifically, added to
the fuzz tone of the bass meandering with the same conviction of the guitars. Le’ Betre are no mere pastiche, they feel
original to me, yes they are the sum of their influences, but there is no
obvious band to compare them too,
perhaps then it is best saying that Le’ Betre appear routed in 70s era blues
rock, but what the opening track ‘Gowns and Crowns’ showcases is Marcus
Jonsson’s amazing vocals, fitting somewhere between the gravelly throat of Joe
Cocker and a young Steven Tyler.
With
my music tastes routed in the heavier realms, my initial reaction to their
music was lukewarm, given that most of the songs are not driven by big
riffs. The aforementioned ‘Gown and
Crowns, is driven by the vocals and the band is all the better for it, I mean
this guy can wail. With ‘Snake Eyes’ the
guitars are overdriven with a rich warm feel, indeed circa Chas Chandler era
Hendrix , the drumming does match not that Mitch Mitchell fluidity but it is
solid, and for the first time you hear double tracking in terms of the guitars
with neat little guitar fills adding flavour to the track, you can’t help
singing out ‘I’ll be here till tomorrow, at dawn’. Great vocal hooks are again a feature and
Jonsson is just the star of the show. Later
in the track the main riff is harmonised maybe an octave higher until the track
naturally fades out with a booming bass.
After
the initial two tracks, on ‘By The Great White Lights’, this is the first time,
you hear the tone of Steve Tyler in Jonsson’s vocals, indeed electric acoustic guitars appear to be
the order of the day, a lovely intro and the repetitive strumming is a feature
of the track. But again, everything is
audible; the bass work is solid, perhaps only 2 to 3 notes at times, but it is
lovely to hear and is further example of a first class mastering job, if you’re
going to have bass don’t bury it, hell Jason Newsted knows that only too well. Le’
Betre obviously take pride in their song craft and this is the biggest
compliment I can give, in that the song writing is superb. ‘Jesper Eriksson’ is perhaps my favourite
track on the Le’ Betre side and showcases a more balls to the wall style, whilst not a head banger as such, it
certainly get you moving, harnessing a 70’s
era Aerosmith strut, vocal lines following the guitars. Rounding off Side A with ‘Mother’, this is a southern baked countrified rock and roll stomp and this is a strong finish from
the hugely talented Swedes.
Flip
over to side B then and King Buffalo are perhaps a little more orthodox in
their sound Born from the ashes of
Rochester’s best (Velvet Elvis / Abandoned Buildings Club). They invade your
ears with heavy driving riffs and a familiar groove. Psychedelic, blues
and stoner overtones combine with thunderous bass and drums, reminiscent of
heavy 70′s rock. A wall of sound, a trio of soaring
vocals, and an unrelenting pace merge to form their own musical styling.
With
one demo release from 2013 to their name, King Buffalo is an altogether
different proposition, a 3 piece consisting of Scott Donaldson (Drums &
Vocals), Sean McVay (Guitar & Vocals), Dan Reynolds (Bass & Vocals),
King Buffalo infect your ears from the outset, ‘New Time’ doesn’t so much blast
into your consciousness, but rather saunters into your psyche with a rich
psychedelic charm, this is lo-fi stuff and for the listener this feels like
familiar territory, but is by no means derivative. The lead riff is simple and is omnipresent
throughout the track and vocally it is akin to Dave Wyndorf, feeling unhurried
and relaxed in style. There is a charm
to King Buffalo, their jams atmospheric and spacey, evoking a sense of euphoric
drug infused splendour, stupefying the listener, making you unable to focus adequate
attention on anything or take an interest in serious matters
at hand. In which case, why fight it,
just soak it up and enjoy the ride.
Things are turned up a notch on ‘Like a
Cadillac’, with more of a stomp on this one, the bass tone is thicker than
treacle and there is more immediacy, perhaps no more than a gingerly stroll,
but the change of pace means there is more of a groove and you can feel a nod
to ‘Blues For the Red Sun’ in terms of the tone of the riffs. King Buffalo may be exchanging the Palm Desert for the sidewalks
of New York, indeed there may be no ‘Desert’ but these tones are laden with fuzz and
like a Cadillac, King Buffalo drive their music with solid conviction, soft top
down, cruising toward a psychedelic metropolis.
Finishing
up the split, it is perhaps only fitting that King Buffalo provides the best
cut with ‘Providence Eye’ and damn if this doesn’t remind me of ‘Dopes To
Infinity’ Monster Magnet, I mean the intro alone is cut with the same tone, it’s
trippy and psychedelic. ‘Providence Eye’
is like a gateway intensifying your perceptions, the gentle strumming of the
guitars generating visual kaleidoscopic images, affecting your mind, colourful
autumn leaves blowing wistfully in the wind, King Buffalo somehow inflicting
some kind of psychoactive affect, expanding your mind to the freedoms the likes
of which you have not experienced and what better way to finish a record than a
delectably piece of music, leaving you with a feeling of unbridled euphoria.
Words by:
Aaron Pickford
Check the info below for all the info you need and
links of where you can pick up a copy
Release info: On SALE here Saturday Feb 21st 2015 12 noon eastern standard time!
Limited
Vinyl Pressing of 405
Not So Standard Edition – 130 pieces
Die Hard Edition - 75 pieces
Band Only - 100 pieces
OBI Series - 100 pieces
Mastered specifically for vinyl
Exclusive artwork done by Thieves Of Tower
Not So Standard Edition – 130 pieces
Die Hard Edition - 75 pieces
Band Only - 100 pieces
OBI Series - 100 pieces
Mastered specifically for vinyl
Exclusive artwork done by Thieves Of Tower
For more
information:
