‘The music itself is all over the place, but this variety is one of
the album’s biggest strengths.’
Album Type:
Full Length
Date
Released: 19/05/2015
Label:
Relapse Records
‘Tau
Cross’ CD//LP//DD track listing:
01. Lazarus
02. Fire In The Sky
03. Stonecracker
04. Midsummer
05. Hangmans Hyll
06. We Control The Fear
07. You People
08. Prison
09. Sons Of The Soil
10. The Lie
11. Our Day
12. The Devil Knows His Own
02. Fire In The Sky
03. Stonecracker
04. Midsummer
05. Hangmans Hyll
06. We Control The Fear
07. You People
08. Prison
09. Sons Of The Soil
10. The Lie
11. Our Day
12. The Devil Knows His Own
Tau
Cross is:
Rob ‘The Baron’ Miller | Bass, Vocals
Michel ‘Away’ Langevin | Drums
Andy Lefton | Guitar
Jon Misery | Guitar
Review:
Two months have now passed since Tau Cross’
self-titled album came out, and the dust seems to have finally settled. There’s
a good chance that if you’re reading a review of an album two months after it’s
already come out, you’ve already heard it and (rightfully) find it interesting
enough that you’re wondering what others think about it. The album has been
largely praised from fans and press alike, and with a line up that includes the
Rob “The Baron” Miller, Away of Voivod fame, and members of Misery and
War//Plague, it’s easy to see why so many were so excited about the album in
the weeks and months leading up to its release.
I didn’t get it, at all. I’m not sure that I
even get it now. Having a lot of time to digest ‘Tau Cross’ has seen the album
fair better with me than it had in the first week after release, but it’s still
a confounding album. The riffs are deceptively simple, to the point that I was
actively bothered by people praising the album at first. Over time, I’ve come
to appreciate the musical part of the album quite a bit, but at that point, I
distrusted every review I read. I caught myself believing that the people
involved just wanted a band with this
kind of history involved to work so badly that they loved it before they even
heard it and didn’t want to reverse course once they heard how bad it was.
‘This is the sort of shit we would all shrug off from garage bands’, I thought
to myself, ‘so why is everyone so excited about this? They must be giving this
album praise because of who made it.’
But that’s complete bullshit. Some people just
get this album in a way that I’m not wired to. I know the proper way to handle
this situation is to simply leave myself out of the review and criticize it
“objectively”. I’ve already failed at that, and I’m going to continue to fail
at it because objectively a lot of people love this album, and I don’t. It gets
better every time I hear it and yet one thing remains crystal clear to me. The
Baron as throat-shredding madman of Amebix was a perfect fit. When he’s a part
of a much more conventional hard rock or heavy metal band he sounds woefully
out of place.
The music itself is all over the place, but this
variety is one of the album’s biggest strengths. Very little of this album ever
really feels dour or even angry, which makes The Baron’s preferred vocal
demeanor feel all the more strange. It’s the musical version of a raving
derelict screaming in the middle of a water park. Everyone’s having massive
amounts of fun all around him, but he just keeps yelling at everything,
completely undeterred by the good vibrations surrounding him at all times. The
music on any given song might bring Motörhead, The Melvins or Kyuss to mind
among others. There’s even a western-inspired protest folk vibe to “We Control
the Fear”, but one thing never changes: The Baron is almost always in stark
contrast to whatever is happening musically.
The truth is, I don’t think I’ll ever put the
pieces in place to make this album sound right to me. There are a ton of
people, many of whom are brighter and are better writers than I’ll ever be,
that love this album. It’s an undeniably different album, and it’s worth
recommending for that reason alone. There are some songs here that are way more
clever than you might think they are on the first listen. Beyond that, it’s
worth trying because it’s truly one of a kind.
Words by:
Daniel Jackson
For
more information:
Like: Facebook
Listen: https://taucross.bandcamp.com/