'Earth' will sit nicely in any collection and would add some melodic
relief in between the usual tipple of sludge, doom, death metal and black
metal. Brilliant.’
Album Type: Full Length
Date Released: 24/07/2015
Label: Magic Bullet
Records
‘Earth’ CD//DD//LP
track listing:
01.
Far Too Temp
02. Future Ghosts
03. He Tall He
04. Complaints
05. Flight Risk
06. Sunburned Sons
07. Repo
08. Stiff Fits
09. Blue Rose
10. Jealous of Drugs
11. Old Haunts
12. Walls
02. Future Ghosts
03. He Tall He
04. Complaints
05. Flight Risk
06. Sunburned Sons
07. Repo
08. Stiff Fits
09. Blue Rose
10. Jealous of Drugs
11. Old Haunts
12. Walls
Sweet Cobra
is:
Jason
Gagovski | drums and cymbals
Robert Arthur Lanham Jr. | guitar
Botchy Vasquez (aka Tim Remis) | vocals and bass
Robert Arthur Lanham Jr. | guitar
Botchy Vasquez (aka Tim Remis) | vocals and bass
Review:
'Earth'
is the fourth album from Chicago stalwarts Sweet Cobra and their first as a 3
piece. While being predominantly a post hardcore band, they do have their
sludgier moments. To those unfamiliar with this band, think of what would
happen if Torche and Hot Water Music decided to form a supergroup.
The
guitars that emulate from first track 'Far Too Temp' are fuzzy, scuzzy and
filthy. Energetic rawk ensues and a massive chorus will keep fans of the
more melodic side of heavy music interested. This album was mixed by Kurt
Ballou (and parts of it were recorded by him too) and it certainly shows as
second track 'Future Ghosts' has that raw, Ballou feel to it. Robert Arthur
Lanham Jr's guitars sound simple but intense as drummer Jason Gagovski pounds
away with a straight forward d-beat to excellent effect for half of the song.
'He Tall He' focuses the energy, and hammers home the riff and rhythm. The
melodic vocals of bassist/vocalist Timothy 'Botchy Vasquez' Remis are in fine
form as 'Complaints' rips through the speakers. The guitars provide the album
with a few moments of post metal, sounding a little like keyboards before the
thick guitars play out the songs last minute or so while Remis sings
"bombs away" a few times.
'Flight
Risk' is a tad slower than any of the other songs and the almost shoegaze
nature of the guitars keeps the album from being one dimensional in it's
delivery. Sixth song 'Sunburned Sons' kicks off with a metallic riff and the
head swingingly brilliant drum pattern and the crushing distortion make this
song a personal highlight. Side 2 begins with 'Repo' which is just a brilliant
track, say no more. The vocals are a truly unique feature of this band and this
is evident on 'Stiff Fits' where Remis sings a very interesting melody throughout
the verse and the rocking chorus. Again, the guitars are heavy as a fuzzy
sledgehammer until the last 10 seconds where a sombre melody is picked. That
bleeds nicely into 'Blue Rose', a catchy, melodic, bundle of raw energy which
would be a great first single. Any misconceptions about this being a
lightweight album are stripped away during the songs closing moments; the
guitars are seriously heavy!
'Jealous
of Drugs' is up next and is more melancholic in its vocal delivery. Some
haunting overtones make this song the perfect companion to a cocaine come down
or a brutal hangover...right up until the faster part kicks in and shakes the
shit out of you. The drums of penultimate track 'Old Haunts' is reminiscent of
some late 90's punk. You know the kind that would be featured on an Epitaph or
Fat Wreck Chords release, The Swingin' Utters springs to mind. Finally 'Walls';
very Foo Fighters but that's my lazy journalistic reference, it's a lot better
than the Foos! Vocalist Botchy is joined by his wife Elizabeth on backing
vocals for this one and the harmonic contrast is beautifully crafted. The
shimmering electric guitar sticks to the atmosphere while the sound of a
plucked acoustic guitar ushers in the end of the album.
Sweet
Cobra should be mentioned in the same breath as Torche and Baroness, possibly a
referential point to someone who likes the Foo Fighters but wishes they were
heavier and more hardcore. Their song writing has come on leaps and bounds
since 2010's 'Mercy' which, while heavier in riff content, lacked the focused
energy of this. 'Earth' will sit nicely in any collection and would add some
melodic relief in between the usual tipple of sludge, doom, death metal and
black metal. Brilliant.
Words by: Chris Bull
‘Earth’
is available here
For more
information: