Album Type : Full Length
Date Released : 27/9/2013
Label : Season of Mist
1. The Tower 06:29
2. Divine – Appalling 05:54
3. The Hound 09:47
4. Blood on the Trail 05:35
5. The Dead Won't Mind 03:18
6. A Knife between Us 06:34
7. The Pulse of Bliss 05:49
8. Sleepwalkers 05:37
9. Lost among Liars 05:28
10. Blood Don't Eliogabalus (bonus track) 08:16
2. Divine – Appalling 05:54
3. The Hound 09:47
4. Blood on the Trail 05:35
5. The Dead Won't Mind 03:18
6. A Knife between Us 06:34
7. The Pulse of Bliss 05:49
8. Sleepwalkers 05:37
9. Lost among Liars 05:28
10. Blood Don't Eliogabalus (bonus track) 08:16
Bio
:
The Norwegian
coastal city of Bergen is famous for its vibrant Rock and Metal scene.
Surrounded by fjords and mountains, this beautiful but rain ridden place would
be associated with Black Metal by most people, yet VULTURE INDUSTRIES are of a very different breed. "The
Tower" explores dark musical vistas with a unique mixture of progressive,
experimental, industrial, doom, extreme and even symphonic elements. This
amalgamate of styles may conveniently be dubbed Avant-Garde Metal, which can be
further explained by drawing possible comparisons with FAITH NO MORE, MR.
BUNGLE, ARCTURUS, DEVIN TOWNSEND, VED BUENS ENDE and THE CULT. Starting out as
DEAD ROSE GARDEN in 1993, they changed members and consequently the band’s name
to VULTURE INDUSTRIES in 2003.
Now the band consists of current and former members of SULPHUR, BLACK HOLE
GENERATOR, MALICE IN WONDERLAND and SYRACH. After two demos "The
Sleeper" (2003) and "The Enemy Within" (2004), which captured
attention in progressive circles, the EP "The Benevolent Pawn" (2005)
was the first official release. It was followed by two full-length albums,
namely "The Dystopia Journals" (2007) and "The Malefactor's
Bloody Register" (2010). Both releases gained high critical acclaim and
praise from the fans alike. With ARCTURUS in hibernation, VULTURE INDUSTRIES easily claimed the
throne of Norwegian dark progressive Metal. Now the band from Bergen takes
another step in their steadily climbing career. "The Tower" was
recorded at the Conclave & Earshot Studios in Bergen (ENSLAVED, AUDREY
HORNE, HELHEIM, TAAKE) and produced by frontman Bjørnar E. Nilsen. The mixing
was excellently handled by ENSLAVED keyboarder Herbrand Larsen and the album
was mastered by Jens Bogren at Fascination Street Studios (OPETH, KATATONIA,
DEVIN TOWNSEND, IHSAHN). "The Tower" is yours to climb
The
Band :
Bjørnar Erevik
Nilsen| Vocals, keys and improvised percussion
Øvyind Madsen | Guitars & backing vocals
Eivind Huse | Guitars & backing vocals
Kyrre Teigen | Bass & backing vocals
Tor Helge Gjengeda | Drums & backing vocals
Øvyind Madsen | Guitars & backing vocals
Eivind Huse | Guitars & backing vocals
Kyrre Teigen | Bass & backing vocals
Tor Helge Gjengeda | Drums & backing vocals
Review
:
Now three albums in, Norway's Vulture Industries continue to offer up
unique music. That they hail from Bergen and don't play black metal surprised
me (naive, perhaps) but the sound they do offer is very unpredictable. A very
dark Faith No More/Mr. Bungle with elements of Paradise Lost Sisters of Mercy thrown in?
The title track is up first and combines Paradise Lost-ish melodies with
pounding double bass drums and distinctive vocals that are rather gothic in
tone. It is bleak stuff with a melding of sounds and genres; progressive post
rock, gothic metal and black metal are all present. Divine-Appalling
offers an almost sea shanty-esque opening riff before stepping up into a creepy
higher tempo. The guitars weave together impressively and the double bass drums
are again gainfully employed before a rather Sabbathian interlude.
The sound is truly hard to categorise as it uses so many different elements
and at the same time; there are not “post rock passages” followed by “doom
passages” and so on. Instead the music shifts along offering the listener
flashes of the component parts. The Hound starts slowly and maintains a
distinctly mournful and doomy feel for its nine minutes plus. The sound becomes
ever more dreamy and lilting through the middle section with, again, good use
of guitars and keys. Blood on the Trail rolls out in triplet formation as a very solid metal track, but then
breaks down to bass and drums and a sort of industrial feel. Overall, the track
has a rather Germanic feel- no bad thing- and is not as straightforward as it
first sounds. Great drumming on this one, too.
The Dead Wont Mind marks the half way point of
the album with an opening that would not be out of place on a Nick Cave and The
Bad Seeds records. The vocals gate distinctly Cave-esque on this one as the
song overall acts as a bridge to the latter half of the album. A Knife
Between Us opens starkly with distant guitar and vocals before the vocals
and then instrumentation are brought forward in the mix and the band whips up a
storm of darkness and excellent riffs. Dynamics are utilised effectively and
the vocal performance of Bjørnar Erevik Nilsen is stellar. The Pulse of Bliss
is more metallic and seemingly direct but offers twists and turns over the
course of the near six minutes. The lyrics are again both coherent and of high
quality with some neat phrases used that will certainly stick in your head (and
that you might steal as song titles for your doom band- “Blood on The Stone”
anyone?).
Sleepwalkers starts as creepily as you might expect. As the track
goes on “fog thickens over a shrouded mind” and an
exercise in paranoia is very deftly acted out. The penultimate Lost Among
Liars shifts gears again with a snare rhythm and simple bass line leading
the way for atmospheric effects and keys to compliment snaky guitar licks and
quality vocals. The quality of the mix is highlighted too, with acoustic
guitars audible way back in the speakers to give brightness to the track as it builds. The closing eight minutes plus of Blood
Don't Eliogabalas has enough running time to spread its wings and takes in
jarring riffs, double bass drums, some almost BM style riffing, keyboard
atmospherics and good production. In short, the track serves as a kind of
summing up of what went before it, thus working perfectly as an album closer.
It is imaginative, hard to pigeonhole and predict and highly engaging for the
listener because of this.
I would not hesitate to recommend
this album to anyone interested in anything from Nick Cave to Enslaved and
anything in between.
Words by : Richard Maw
You
can buy it here
For more information :
www.vulture-industries.net
www.facebook.com/vultureindustries